A Quote by Charles de Lint
We're so quick to cut away pieces of ourselves to suit a particular relationship, a job, a circle of friends, incessantly editing who we are until we fit in.
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A black suit can be classic and timeless and certainly for most occasions. But remember, it's not so much the color of suit as it is about the fit, cut, style, and, of course, attitude you have when wearing it.
Editing is everything. Cut until you can cut no more.
When I work, my first relationship with people is professional. There are people who want to be your friend right away. I say, "We're not gonna be friends until we get this done. If we don't get this done, we're never going to be friends, because if we don't get the job done, then the one thing we did together that we had to do together we failed."
Time really is one big continuous cloth, no? We habitually cut out pieces of time to fit us, so we tend to fool ourselves into thinking that time is our size, but it really goes on and on.
As a 6'5' guy, the suit fit is extremely important. Getting a suit made for my body means it will fit in all the right places. For me, I look for a suit that fits well in the arms and shoulders and allows me to move... after all, I'm a fighter, so it needs to give me room to breathe.
It's not so much the color of suit as it is about the fit, cut, style, and, of course, attitude you have when wearing it.
If you can fit in the suit, you've got the job.
Maybe other people are like mirrors that we see ourselves in; versions of ourselves that vary dramatically depending on the particular cut of glass.
I can't drag myself away from 'Final Cut Pro.' It is a digital video editing system. I am obsessed with it, but I am always away from home, and I can't use it.
Everyone should have a suit that's really well fitting - if a suit just doesn't fit, it looks ridiculous. It can purposely be too large or too small, if that's what you want, but it has to fit with your image and personal style.
Serious relationships draw us away from the circle of friends that seemed so adequate, so fulfilling. Marriage cements these inward movements. Children draw partners closer, but they can also draw you further away from the friends and lives you once knew.
I feel like the job in editing is to let the movie tell you what it is. It's like sculpture. You just start taking away, you add a nose here, you cut off like the side of the cheek over here in the crease and you have a face. But it really reveals to you what it means to be over time, and if you have enough time.
I feel like the job in editing is to let the movie tell you what it is. So again, it's like sculpture. You just start taking away, you add a nose here, you cut off, like, the side of the cheek over here in the crease, and you have a face. But it really reveals to you what it means to be over time, and if you have enough time.
I like to think of us as a more European-fit American brand, and invariably, when you go to Savile Row for a suit, you'll find that the suit fits you like a glove. That's how it should fit: form to your body. Especially here in the States, men have to really understand the importance of that fit. If I'm dressing a friend, I'll usually give him a size down from the one he's asked for; he'll think it's too small, but after a while he gets it.
During the preproduction when I'm shooting and then once we wrap we go away. And then the visual effects guys take over. And then they add all those little bits and pieces. They come up with ideas during the cut in the editing, and they said while would be really cool if we did this thing here where the blade pops out. So then you see the movie and say wow that's a really neat idea. I wish we would have thought of that.
I write first drafts feverishly fast, and then I spend years editing. It's not that sentence-by-sentence perfectionist technique some writers I admire use. I need to see the thing, in some form, and then work with it over and over and over until it makes sense to me - until its concerns approach me, until its themes come to my attention. At that editing stage, the story picks itself and it's just up to me to see it, to find it. If I've done a good job, what it all means will force me to confront it in further edits.
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