A Quote by Charles de Lint
I finally figured out that I’m solitary by nature, but at the same time I know so many people; so many people think they own a piece of me. They shift and move under my skin, like a parade of memories that simply won’t go away. It doesn’t matter where I am, or how alone--I always have such a crowded head.
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I think if you don't like being in your skin, it doesn't matter how many times people say you're beautiful, how many jobs you get, or whatever it is - I just didn't want to be Adwoa.
I never was a person that wanted that life...I'm a leader not a follower. I don't care what they say, or what they're doing or what they're wearing. Go ahead, cos come Judgement Day, all of that won't matter. How many people did you help. How many people did you talk to. How many people did you try to encourage. How many people did you bring to God. That's what's gon' matter.
I have so many memories and have so many people to thank at Liverpool. I have to improve as a player. In my head, I always think this.
For me, social media is a one-way deal. It's like all the traffic goes one direction and I don't care how many people follow me, I don't care how many people like what I do, give me a thumbs up or whatever it is. I am here to share a piece of information that I've decided is relevant to our relationship as musician and audience member.
When I was signed to Quincy Jones before I went independent, he told me to rap what you know, and people will forever feel you. And I stuck to that, no matter how many people called me a devil worshiper, no matter how many people call me a cult leader. I stuck with rapping about what I know.
I don't think about how many times how many heroines have said 'I love you' to how many heroes on screen and that I am also doing the same. It is how differently I can say the same thing in my own style or how I can bring a new element into it.
Most things are forgotten over time. Even the war itself, the life-and-death struggle people went through, is now like something from the distant past. We're so caught up in our everyday lives that events of the past, like ancient stars that have burned out, are no longer in orbit around our minds. There are just too many things we have to think about every day, too many new things we have to learn. New styles, new information, new technology, new terminology ... But still, no matter how much time passes, no matter what takes place in the interim, there are some things we can never assign to oblivion, memories we can never rub away. They remain with us forever, like a touchstone. And for me, what happened in the woods that day is one of these.
What it takes to reach this place I'm speaking about is to be in spirit. You shift who you are away from what you have, what you do, what your reputation is, what people think of you, and all of that ego-based thinking. You shift into the understanding that who you are is a piece of God - who you are is a piece of the source - and when you stay connected to that in your thoughts you inspire others to do the same.
How many times have I failed before? How many times have I stood here like this, in front of my own image, in front of my own person, trying to convince him not to be scared, to go on, to get out of this rut? How many times before I finally convince myself, how many private, erasable deaths will I need to die, how may self-murders is it going to take, how many times will I have to destroy myself before I learn, before I understand?
People say people who spend too many years in prison don't know how to act when they get free. I don't know how I am going to act, how I am going to kill time, once I am not a fighter. Retirement scares me, and I have to think about how I am going to handle it.
I was thinking about time, how on a movie set the shot is maintained in the same time no matter how many takes and hours pass. Reflectors and lights are added, footprints are smoothed away, so that there are no telltale clues as the day wears on. When the shot is finished and the plugs are pulled, time seems to leap forward in a matter of seconds. Perhaps making movies is a step toward being able to move backward and forward and in and out of linear time.
All singers, no matter how gifted, should always try to go improve. And all students begin in the same place despite the level of their talent. It's like bodybuilding: All people who train use similar exercises no matter how naturally physically endowed a person may be. I have worked with many of the most brilliant singers in modern music and it's always the case that they have a great deal of under-realized potential no matter how amazing their abilities.
My New Year's Eve is always 2 July, the night before my birthday. That's the night I make my resolutions. And this year scares the life out of me, because no matter how successful, how good things appear, there is always a deep core of failure within me, although I am trying to deal with it. My biggest fear, this coming year, is that I will be waking up alone. It makes me wonder how many bodies will be fished out of the Thames, how many decaying corpses will be found in one-room flats. I'm just being realistic.
I feel like I am an example. And I hope my life is a testimony to show people no matter what you go through, how many hurdles are placed in front of you, how many bumps and bruises you get, to pick yourself up and be resilient and keep on trucking.
You are alone when something like this happens. Doesn't matter how many people love you and want to help you. You are alone. When Marchent died, she was alone.
Childhood is less clear to me than to many people: when it ended I turned my face away from it for no reason that I know about, certainly without the usual reason of unhappy memories. For many years that worried me, but then I discovered that the tales of former children are seldom to be trusted. Some people supply too many past victories or pleasures with which to comfort themselves, and other people cling to pains, real and imagined, to excuse what they have become.
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