A Quote by Charles de Lint
Magic lies in between things, between the day and the night, between yellow and blue, between any two things.
Related Quotes
The decision must be made between Judaism and Christianity, between business and culture, between male and female, between the race and the individual, between unworhtiness and worth, between the earthly and the higher life, between negation and God-like. Mankind has the choice to make. There are only two poles, and there is no middle way.
Science means constantly walking a tightrope between blind faith and curiosity; between expertise and creativity; between bias and openness; between experience and epiphany; between ambition and passion; and between arrogance and conviction - in short, between an old today and a new tomorrow.
The only true borders lie between day and night, between life and death, between hope and loss.
The people of America are red, white, black, yellow, and all the shades in between. Their eyes are blue, black, and brown, and all the shades in between. Their hair is straight, curly, kinky, and most of it in between. They are tall and short, slim and fat, athletic and anaemic, and most of them in between. They are the different peoples of the world becoming more and more the "in between." They are a people creating a new bridge of mankind in between the past of narrow nationalistic chauvinism and the horizon of a new mankind--a people of the world. Their face is the face of the future.
I like movies that deal with trapped men. Men that need to make choices that are not obvious or easy choices. Then how do you visualize this? You create this character conflicted between two sides, because drama is about the conflict of two things, between your duty and your will, between what you want and what you can't have. It is all conflict between two things, and this is why you put your character in a place where you can visualize the conflict.
To join two things together there must be nothing between them or there cannot be a perfect fusion. Now realize that this is how God wants our soul to be, without any selfish love of ourselves or of others in between, just as God loves us without anything in between.
I'm not a visionary, but I've spent half my life drawing things Imagined, Remembered, and Observed, comparing the differences between them, and my study confirms that "the difference between night and day / is not as great as people say."
I believe that the fundamental alternative for man is the choice between "life" and "death"; between creativity and destructive violence; between reality and illusions; between objectivity
and intolerance; between brotherhood-independence and dominance-submission.
You think homosexuality is disgusting? Then, it follows as the night the day, that you find sex disgusting, for there is nothing done between two men or two women that is, by any objective standard, different from that which is done between a man and a woman.
Mothers know the difference between a broth and a consommé. And the difference between damask and chintz. And the difference between vinyl and Naugahyde. And the difference between a house and a home. And the difference between a romantic and a stalker. And the difference between a rock and a hard place.
The frontier between hell and heaven is only the difference between two ways of looking at things.
In the space between yes and no, there's a lifetime. It's the difference between the path you walk and the one you leave behind; it's the gap between who you thought you could be and who you really are; its the legroom for the lies you'll tell yourself in the future.
The right way usually lies between two extremes: it is the narrow channel between the rock and the whirlpool.
Between the daylight gambler and the player at night there is the same difference that lies between a careless husband and the lover swooning under his lady's window.
Things are as they are. Looking out into it the universe at night, we make no comparisons between right and wrong stars, nor between well and badly arranged constellations.
The mystery of the evening-star brilliant in silence and distance between the downward-surging plunge of the sun and the vast, hollow seething of inpouring night. The magnificence of the watchful morning-star, that watches between the night and the day, the gleaming clue to the two opposites.
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