A Quote by Charles de Lint

The real trouble comes from not knowing what we really want in the first place. — © Charles de Lint
The real trouble comes from not knowing what we really want in the first place.
Real knowing comes up when we stand in the appropriate place. But usually we don’t. First we want to understand something according to individual knowledge, prejudice, customs and habits. This means we are standing up in our individual place, not the universal perspective. This egoistic behavior makes it very difficult to see the overall picture. But buddhas and ancestors recommend that we first stand up in the appropriate place. Just stand up, be present in the Universe itself.
The man of the true religious tradition understands two things: liberty and obedience. The first means knowing what you really want. The second means knowing what you really trust.
Eventually we realize that not knowing what to do is just as real and just as useful as knowing what to do. Not knowing stops us from taking false directions. Not knowing what to do, we start to pay real attention. Just as people lost in the wilderness, on a cliff face or in a blizzard pay attention with a kind of acuity that they would not have if they thought they knew where they were. Why? Because for those who are really lost, their life depends on paying real attention. If you think you know where you are, you stop looking.
For me it's really tough because you have to go to that place where you really, really don't want to go to or revisit. After the first movie, when I was crying at the altar, whenever I would think about it, I would get chills for months after the first "Best Man" because I had to go to that place. And then, here we are with this one, and we are going to that place again. It's just extremely emotional to just have to keep revisiting it, but it can also be therapeutic.
The first time I was in Stockholm, everybody was real cordial, but I started having these nightmares that I was being watched by aliens, basically all the time. My theory on it was that it was really, really unnerving to be in a place where English isn't the first language.
The things that drive me are poverty, and pain, and knowing that I don't want to end up being alone and I want to do something with my life and I want the name Dobson to remain in everyone's heads. Basically, just to rock and be the best performer I can be, and be true, and be real, and give people the real Fefe, nothing fake, all real.
Anyone who knows music knows that Neil is about as real as it can get, and this along with seeing him perform 'Harvest Moon' on 'SNL' was my first experience knowing what real music really felt like.
The most powerful place you can come from is just having a really deep knowing of who you are and what you want for yourself.
I've always had real trouble knowing what my actual desires and goals are. I've just been dragged along by fate.
I am a hopeless romantic. A silly, ridiculous, foolish romantic. I live in a fantasy land. I need to get real. And now, for the first time, I want to get real. I want a real relationship with a real man in the real world–-with all the real problems, faults, and whatever comes with it.
The problem was, I was labeled as trouble - so I was like, 'Trouble? I'll show you trouble. You want trouble, well here it is!' No matter what label they give you, the best thing you can do is prove them wrong.
I am determined that we're going to get the economy really moving again, building on the progress, but never going back to what got us in trouble in the first place.
It was very satisfying knowing I could come in not really knowing what I was going to do, and at the end of the session feeling that I'd really done interesting guitar work and knowing that I'd really contributed to the music.
When you're touched by magic, nothing's ever quite the same again. What really makes me sad is all those people who never have the chance to know that touch. They're too busy, or they just don't hold with make-believe, so they shut the door without really knowing it was there to be opened in the first place.
The happy ending is hardly important, though we may be glad it's there. The real joy is knowing that if you felt the trouble in the story, your kingdom isn't dead.
I found that most people don't really want to know the truth. There are plenty of people who want to know the truth on their terms or require that the truth be contained within certain boundaries of comfort. But truth can never be known this way. You have to seek truth from a place of not knowing, and that can be a very threatening place because we think we already know the truth or we are afraid of what the truth might be.
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