A Quote by Charles de Lint
Labels don't mean much to me one way or another -- except when they close the minds of potential readers. I'd much rather we do away with genres and simply file everything under fiction. I know it can work -- one of my favourite record stores (Waterloo Music in Austin) simply files everything alphabetically and no one seems to have much problem finding what they're looking for.
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I was always looking to record, but how much I actually pursued it was another thing. The major labels weren't that interested in me, and the smaller labels didn't have any money to do anything.
I'm obsessed with packing in as much work as possible during each day, simply because there is only so much time you have in a lifetime. There is nothing better than to go home at night and know that you've done everything that you could do to accomplish your work.
When you're not doing fiction, there's a limit to how much illustrating you can do with your work. I mean, you can do fine. There are great non-fiction writers, but people aren't necessarily going to say anything that reveals them as much as a picture might. Even their surroundings, in lot of cases, the things that meant the most to me were the things I noticed in their houses. I was always looking, as much as I was listening to them. I was looking around for clues as to why I was there.
People seek methods of learning to know God. Is it not much shorter and more direct to simply do everything for the love of Him? There is no finesse about it. One only has to do it generously and simply.
Everything that we love will, at some point, be taken away from us. If I think about everyone I love eventually being taken away from me by death, or simply by getting lost from each other in the world, it makes me value them much more now. And I'm much less likely to be indifferent. For me, indifference is the end of life.
I'm now much more excited about genre distinctions. What I still see breaking down are more the hierarchical arrangements of genres. That is, "There is literary fiction, and then there are lesser genres." I'm much more clear on the idea that literary fiction is itself a genre. It is not above other genres. It is down there in the muck with all the other genres, and it's doing the wonderful things that it does, but to give it a Y-axis, to make it high and low, just seems absurd. I stand by that.
You must not count much upon what I can do or learn in New York.... Everything there disappoints me but the crowd; rather, I was disappointed with the rest before I came. I have no eyes for their churches, and what else they find to brag of. Though I know but little about Boston, yet what attracts me, in a quiet way, seems much meaner and more pretending than there,--libraries, pictures, and faces in the street. You don't know where any respectability inhabits.
As far as change, anyone from the age of 13 to 19, you become a whole new person because you grow up. There was so much that I didn't know or that I thought I knew because I was just a 13-year-old at the time who thought I knew everything. But I realized very quickly that, no, there's so much about everything that I don't. So what I've at least tried to do is accept that I don't know everything. Life is so much more fun that way. And it's easier. I've just been trying to learn, rather than to pretend that I'm perfect.
I almost always write everything the way it comes out, except I tend much more to take things out rather than put things in. It's out of a desire to really show what's going on at all times, how things smell and look, as well as from the knowledge that I don't want to push things too quickly through to climax; if I do, it won't mean anything. Everything has to be earned, and it takes a lot of work to earn.
I have begun to regard everything as more of a process so that the sense of right and wrong diminishes in my psyche. That's been healthy for me and makes everything so much more fun. If something does not quite work out as expected or planned, I simply look for what did work, what I learned from the situation, and really try to keep it moving forward.
Everything you do is so personal. In the end, it doesn't matter so much if you write about your own life or not. It's going to be as much artifice when it comes out as a piece of music. Everything is in character in a way. But that's a great thing.
A person who thought he knew everything simply didn’t understand how much there was to know.
Everything that’s out now…rap wise and music wise in general [is whack]. I mean, you know whack when you see it. So I’m on a crusade against whackness, and I hope no whackness comes my way. That’s my move, my mission for this record: to combat whackness on all fronts – to make sure that people know what quality music is. It’s not so much about message, but have something to say.
I got so much love for classical music and I hear so much incredible music.You should know a bunch of music and have respect for all sorts of genres and styles of music.
Your ambition should be to get as much life out of living as you possibly can, as much enjoyment, as much interest, as much experience, as much understanding. Not simply be what is generally called a 'success.'
I don't really care about labels that much. I wouldn't really call our music retro. There are influences of things from the past, which there is in everything. I think we're quite a modern band, actually. We don't record with old equipment. We use computers and programmed drums. We don't use any guitar amplifiers. We're very much a modern band in the sense that we love computers and what they can do to music. I guess we're just good at a different sound.
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