A Quote by Charles de Lint
Gina always believed there was magic in the world. "But it doesn't work in the way it does in fairy tales," she told me. "It doesn't save us. We have to save ourselves.
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Fairy tales were not my escape from reality as a child; rather, they were my reality -- for mine was a world in which good and evil were not abstract concepts, and like fairy-tale heroines, no magic would save me unless I had the wit and heart and courage to use it widely.
I grew up watching monster movies and horror movies, which I felt were like fairy tales and I think this always spoke to me. Something about that is symbolism - the beauty and the magic which helps me work with film and start making modern fairy tales.
I have very happy memories of fairy tales. My mother used to take me to the library in Toronto to check out the fairy tales. And she was an actress, so she used to act out for me the different characters in all these fairy tales.
I thought about the meaning of pluralism in a world where the forces that seek to divide us are strong. I came to one conclusion: We have to save each other. It’s the only way to save ourselves.
Because it protects you. And when I jumped from the Humvee, I believed it would save me, too, in the same way you believe it will always save you.” “No, I don’t,” Thibault began. “Then why, my friend, do you still carry it with you?
A friend told me that each morning when we get up we have to decide whether we are going to save or savor the world. I don't think that is the decision. It's not an either-or, save or savor. We have to do both, save and savor the world.
We're not on our journey to save the world but to save ourselves. But in doing that you save the world. The influence of a vital person vitalizes.
I created a character whose motives were pure and good and she was going to go out and save the whole world. But the truth is, you can't save the whole world, but you can save one. And that was the whole thrust of the novel - to save just one.
She can never tell him what she started to say: that we come to love those who save us. For although Anna does believe this is true, the word that stuck in her throat was not save but shame.
William Shakespeare was the most remarkable storyteller that the world has ever known. Homer told of adventure and men at war, Sophocles and Tolstoy told of tragedies and of people in trouble. Terence and Mark Twain told cosmic stories, Dickens told melodramatic ones, Plutarch told histories and Hans Christian Andersen told fairy tales. But Shakespeare told every kind of story – comedy, tragedy, history, melodrama, adventure, love stories and fairy tales – and each of them so well that they have become immortal. In all the world of storytelling he has become the greatest name.
What I like about fairy tales is the language and the matter-of-fact way of introducing magic, where it's accepted that a fox could talk or a gate could just appear in a wall. I think fairy tales are so psychological.
The world does not have a voice of its own. It can't tell you what it wants, what it needs. But it's yearning for something to point it in the right direction. A savior, perhaps. Save us, Chris! You must forgive me. Where have my manners gone. I don't think I've had a chance to formerly introduce myself. You may call me Bray Wyatt. But I have a thousand faces and a million names. Seducer, accuser, destroyer. I am the color red in a world full of black and white, and if you value your ability to breathe, don't get too close. Save us, Chris. Save yourself.
For God does not want to save us by our own but by an extraneous righteousness, one that does not originate in ourselves but comes to us from beyond ourselves, which does not arise on earth but comes from heaven.
My parents used to say to me to save. Always save. They also told me to invest in properties and to never go over your monthly allowance.
[Fairy tales] are like a journey to the woods and the many ways you can get lost. Some people say it's not a good idea to read fairy tales to anyone under the age of eight because they are brutal and raw. When I was a kid I often felt that kids's books were speaking down to me, but I never felt that way about fairy tales. They are bloody and scary, but so is life.
Nothing can save England if she will not save herself. If we lose faith in ourselves, in our capacity to guide and govern, if we lose our will to live, then indeed our story is told.
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