A Quote by Charles de Lint
I find the characters in my head and the more I write about them, the better I get to know them.
Related Quotes
I don't write about love because it makes for easy, passive heroes. I write about how love makes my characters more autonomous, more self-possessed, more opinionated and powerful. I write about characters who pursue relationships that make them the people they want to become. I write about love as a superpower.
There are some words I find impossibly difficult ... 'Love,' 'feeling' and especially 'happiness' are at the head of the list. This is not because I haven't experienced any of them but because whenever I think about using the words I don't really know what anyone means by them. I'd find it easier to sit down and write a book about each (coming, obviously, to no conclusion) than to use them casually in speech or writing.
I don't use recurring characters. I do get very interested my characters while I'm working with them, and I find the process of fitting them into a story, and allowing them to create the story around themselves, fascinating. But no, I don't imagine they have a life outside of what I make for them.
With a pilot, there's a lot of information that gets packed into 46 minutes or whatever it is. Usually what happens is that, throughout the season, you get to spend a little more quality time with the characters and get to know them a bit better, whether it's based on circumstance or relationships they've created with other characters.
I do believe that characters in novels belong to their writers and their readers pretty equally. I've learned a lot of things about the characters I write from people who read about them. Readers expand them in ways I don't think of and take them to places I can't go.
I find myself, the more I grow up the more I hang around creatives, musicians. I find them more inspiring to be around. I'd probably say that. The more creative you are - I get along with them better. There is more of an understanding.
All I write about is what's happened to me and to people I know, and the better I know them, the more likely they are to be written about.
To emphasize the importance of beauty is to connect art again to emotion and desire. To find something or someone beautiful is not simply to appreciate what you now see or know about them. It also involves the desire to get to know them better, in the hope that what you will discover will, in some way that you can't know at the time, make your life better, just as your relationship with it so far has also made it better.
Some people say, 'Well you're a man; how do you write about women or girls when you don't know about them?' Well, I've got my imagination, and I can write about women. Yes, I'll never be pregnant and give birth to children, but I can imagine a bit of what it's like. When you create characters, it's just about making them really real to people.
For the past few years my fans have made it very clear that they would like to read my novels and revisit my family of characters faster than I can write them. For them, I am willing to make a change to my working methods so the stories in my head can reach the page more frequently.
I think that you can get more passionate about somebody the longer you're with them and the more you know them and the more you go through together. Being married is definitely better than it's cracked up to be I think.
I find interesting characters or lessons that resonate with people and sometimes I write about them in the sports pages, sometimes I write them in a column, sometimes in a novel, sometimes a play or sometimes in nonfiction. But at the core I always say to myself, 'Is there a story here? Is this something people want to read?'
People always say, 'Do you get bothered by what people say or blog or write about you?' I only do if I know them. If I know them, and I have a relationship with them and they write that, then that would surprise me a lot. Usually the people writing the negative stuff don't know me at all.
I don't actually talk about my books much, because I find if I talk about them I don't want to write them anymore. I write to find out what happens. You know how you read a book? That's what I'm doing except I'm just doing it a lot slower because it takes a lot longer to do.
The great thing about fantasy is that you can drag dreams and longings and hopes and fears and strivings out of your subconscious and call them 'magic' or 'dragons' or 'faeries' and get to know them better. But then I write the stuff. Obviously I'm prejudiced.
I really don't like to go for the stereotypes. I try to give you characters that you don't know until you get to know them, and [decide] how you should feel about them.
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