A Quote by Charles Demuth

Paintings must be understood through the eyes, and that's not the word either. No writing, no talking, no singing, no dancing will explain them. They are the final, the nth whoopee of sight.
Men, in a word, must necessarily be controlled, either by a power within them, or by a power without them; either by the word of God, or by the strong arm of man; either by the Bible, or by the bayonet.
Every Friday we'd do a final practice 'walk-through' for the game, and I just remember we were always out on the field dancing and singing together.
I think it is impossible to explain faith. It is like trying to explain air, which one cannot do by dividing it into its component parts and labeling them scientifically. It must be breathed to be understood.
Life was not to be sitting in hot amorphic leisure in my backyard idly writing or not writing, as the spirit moved me. It was, instead, running madly, in a crowded schedule, in a squirrel cage of busy people. Working, living, dancing, dreaming, talking, kissing- singing, laughing, learning.
So many people think that practicing an art is a good way to make a living. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. I'm talking about singing in the shower, I'm talking about dancing to the radio, I'm talking about writing a poem to a friend.
The most important thing you can learn as CEO- one of the hardest things to do is, you have to discipline yourself to see your company... through the eyes of the people that you're working through. Through the eyes of the employees, through the eyes of your partners... through the eyes of the people who you're not talking to and who are not in the room.
The knight is a man of blood and iron, a man familiar with the sight of smashed faces and the ragged stumps of lopped-off limbs; he is also a demure, almost a maidenlike, guest in hall, a gentle, modest, unobtrusive man. He is not a compromise or happy mean between ferocity and meekness; he is fierce to the nth and meek to the nth.
The four points of the compass be logic, knowledge, wisdom and the unknown. Some do bow in that final direction. Others advance upon it. To bow before the one is to lose sight of the three. I may submit to the unknown, but never to the unknowable. The man who bows in that final direction is either a saint or a fool. I have no use for either.
Praise the name of baseball. The word will set captives free. The word will open the eyes of the blind. The word will raise the dead. Have you the word of baseball living inside you? Has the word of baseball become part of you? Do you live it, play it, digest it, forever? Let an old man tell you to make the word of baseball your life. Walk into the world and speak of baseball. Let the word flow through you like water, so that it may quicken the thirst of your fellow man.
No one in my family plays music. But since I was very little, I would go around the house singing and dancing. And when I was 8, my parents asked me to get up and sing something at a family meal. I had my eyes closed, singing - la la la la la - and when I opened them, the whole family was crying.
We must keep ourselves in touch, not with theories, but with people. We must never get out of touch with them if we are going to use the Word of God skillfully amongst them and if the Holy Spirit is to apply the Word of God through us.
Women must write through their bodies, they must invent the impregnable language that will wreck partitions, classes, and rhetorics, regulations and codes, they must submerge, cut through, get beyond the ultimate reverse-discourse, including the one that laughs at the very idea of pronouncing the word "silence"...In one another we will never be lacking.
There's something about being onstage, singing my lyrics to somebody and them either listening and receiving them, or singing them back to me, that I just can't get enough of.
Seen from the point of view of the composer, the most nonsensical practice is that of casting people in musicals who are unable to sing. No one would cast a dancing part with someone who cannot dance sufficiently to come up to professional standards. The same is true of acting. But when it comes to singing, more often than not it is amateur night. . . . Either musicals should be written for specified performers in the first place, or they should be cast with people who are adequate to its dancing, acting and singing demands.
Life must be lived as play, playing certain games, making sacrifices, singing and dancing, and then a man will be able to propitiate the gods.
Sometimes I think I shouldn't explain much about my work because people will just feel what they feel when they see it. They'll love it or hate it or enjoy it on their own, like how I've looked at abstract paintings of other artists and cried or felt happy because I've felt, "Wow, I've lived that, I've understood that."
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