A Quote by Charles Dickens

Virtue shows quite as well in rags and patches as she does in purple and fine linen. — © Charles Dickens
Virtue shows quite as well in rags and patches as she does in purple and fine linen.
I try to avoid purple patches, fine writing, all that kind of thing... because I think they're a mistake. And then sometimes it comes through and sometimes it doesn't, but that's not up to me. It's up to chance.
Genius is talent provided with ideals. Genius starves while talent wears purple and fine linen. The man of genius of today will infifty years' time be in most cases no more than a man of talent.
But then the pastors and men of God can only be human,--cannot altogether be men of God; and so they have oppressed us, and burned us, and tortured us, and hence come to love palaces, and fine linen, and purple, and, alas, sometimes, mere luxury and idleness.
This business is fickle. You have very good patches and less good patches, but you learn to ride them out. As long as you don't take yourself too seriously, you'll be fine. When you lose sight of that, you're in trouble.
Well, I mean she's of a certain biological age but she didn't have to go around with fat patches and stuff.
It is well to fetter the wings of our fancy and restrain its flights. It is quite possible we may have formed entirely erroneous ideas of what we actually see. The greenish gray patches may not be seas at all, nor the ruddy continents, solid land. Neither may the obscuring patches be clouds of vapor. Man is too quick at forming conclusions. Let him but indistinctly see a thing, or even be undecided as to whether he does actually see it and he will then and there set himself to theorizing, and build immense castles of conjecture on a foundation, of whose existence he is by no means certain.
I subscribe to that school of thespian - to be a wandering minstrel or traveling player, a thing of rags and patches, of ballads, songs and snatches.
When a soldier is hit by a cannonball, rags are as becoming as purple.
Don't underestimate Laura Antonelli. She's burning to do well. And then she has an extraordinary face, even without make-up. It's not with her that I'd discuss literature. I speak only of the film 'L'Innocente,' and what she does she does well.
There is no dignity in wickedness, whether in purple or rags; and hell is a democracy of devils, where all are equals.
A woman mixed of such fine elements That were all virtue and religion dead She'd make them newly, being what she was.
It is quite possible we may have formed entirely erroneous ideas of what we actually see. The greenish gray patches may not be seas at all, nor the ruddy continents, solid land. Neither may the obscuring patches be clouds of vapor.
Well, that's baseball. Rags to riches one day and riches to rags the next. But I've been in it 36 years and I'm used to it.
Next to clothes being fine, they should be well made, and worn easily; for a man is only the less genteel for a fine coat, if, in wearing it, he shows a regard for it, and is not as easy in it as if it was a plain one.
What's amazing about Sarah [Brightman] is that she's sustained such a career. She just keeps going - she's like a machine. She tours and records and loves what she does. I think she's a really good example to anybody in the industry that there is life beyond the shows.
'Gloria' is a film about a fifty eight-year-old woman who is quite alone in life; however, she is quite optimistic. Nobody has much time for her, and so she regularly goes to these single adults' parties where she is looking for someone. By the end of the film, she doesn't necessarily find love, but she does find something else.
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