A Quote by Charles Dickens

The meagre lighthouse all in white, haunting the seaboard, as if it were the ghost of an edifice that had once had colour and rotundity, dripped melancholy tears after its late buffeting by the waves.
I think that 'Ghost Rider: Spirit of Vengeance' was mentally taxing, if only because I had to go to a Christmas party shortly after I had wrapped photography in Romania at two in the morning as the Ghost Rider. The invitation had a Christmas ornament on it with Ghost Rider's face on it as a tree.
The Lighthouse was then a silvery, misty-looking tower with a yellow eye, that opened suddenly, and softly in the evening. Now— James looked at the Lighthouse. He could see the white-washed rocks; the tower, stark and straight; he could see that it was barred with black and white; he could see windows in it; he could even see washing spread on the rocks to dry. So that was the Lighthouse, was it? No, the other was also the Lighthouse. For nothing was simply one thing. The other Lighthouse was true too.
I can think of no other edifice constructed by man as altruistic as a lighthouse. They were built only to serve.
I've never had an actual haunting experience, in the way you might anticipate a ghost in a movie haunting someone, but I do feel presences around me all the time, and I do feel that memories haunt us the way ghosts haunt us or might haunt characters in a film.
What to say? That the end of love is a haunting. A haunting of dreams. A haunting of silence. Haunted by ghosts it is easy to become a ghost. Life ebbs. The pulse is too faint. Nothing stirs you. Some people approve of this and call it healing. It is not healing. A dead body feels no pain.
A good book is a lighthouse; a wise man is a lighthouse; conscience is a lighthouse; compassion is a lighthouse; science is a lighthouse! They all show us the true path! Keep them in your life to remain safe in the rocky and dark waters of life!
There were some things in my childhood I thought we'd put to sleep. The idea of one race's supremacy over another. I thought the issue of colour would be put to sleep by the time I had a son. And that's maybe why I had a kid so late.
Three years into getting 'The Witch' financed, I was hanging out with my brother and he was like, 'I'm working on this script. It's a ghost story in a lighthouse.' I thought, 'Damn, that's a really good idea, I wish I'd had it.'
Jim Jones started out as a civil rights crusader in Indianapolis. As a young preacher in the mid-50s, he used members of his congregation to integrate lunch counters and all-white churches in rich neighborhoods; they'd just march in and sit down at the pews and see what happened. Often they were received with racist insults, and once with a bomb threat. But the fact that you had this charismatic, white man, aggressively promoting racial equality, was a huge draw for African Americans, many of whom felt the Civil Rights Movement had stalled by the late 60s.
I had an idea for a story about a young woman who was living with people who were different, not just superficially different - such as hair colour, or eye colour, or skin colour - but different in some significant way.
I got the idea for Netflix after my company was acquired. I had a big late fee for Apollo 13. It was six weeks late and I owed the video store $40. I had misplaced the cassette. It was all my fault.
Yes, I can be melancholy, but do you think I had Bing Crosby singing 'White Christmas'? I never had nothing. I didn't have all the things I wanted when I wanted them. I didn't have presents.
My mind swirled with memories of the life I had led. The constant struggle to keep up appearances, the pretenses, the smiles that had been met with tears. The long sleepless nights, the loneliness that cloaked my spirit and turned me into a true ghost.
The waves were dead; the tides were in their grave, The moon, their mistress, had expir'd before; The winds were wither'd in the stagnant air, And the clouds perish'd; Darkness had no need Of aid from them-She was the Universe.
Addie, please." More tears dripped down her cheeks. "Don't be so hard." "Oh, please," I muttered...and that was as far as I got. 'You broke my heart' were the words that had risen to my mouth, but I couldn't say them. That was what you said to a boyfriend, a lover, not your best friend. She'd laugh. And I'd had enough of being laughed at. I'd worked hard to get to a place where it didn't happen anymore, where I didn't move through life like a walking target, where it was just me and my paints and brushes and my big empty bed every night. "You weren't a good friend," I said instead.
In the late nineties, Katy Grannan began making haunting photographs of people who had extraordinary inner yens to be seen by strangers.
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