A Quote by Charles Dickens

"Then what can you want to do now?" said the old lady,gaining courage. "I wants to make your flesh creep," replied the boy. — © Charles Dickens
"Then what can you want to do now?" said the old lady,gaining courage. "I wants to make your flesh creep," replied the boy.
The Little Boy and the Old Man Said the little boy, "Sometimes I drop my spoon." Said the old man, "I do that too." The little boy whispered, "I wet my pants." I do that too," laughed the little old man. Said the little boy, "I often cry." The old man nodded, "So do I." But worst of all," said the boy, "it seems Grown-ups don't pay attention to me." And he felt the warmth of a wrinkled old hand. I know what you mean," said the little old man.
Flesh will not stand in front of God, so all the decisions you make from your flesh will be paid for with your soul. Your flesh rejects the truth because it desires to do what it wants to do.
A brown spotted lady-bug climbed the dizzy height of a grass blade, and Tom bent down close to it and said, "Lady-bug, lady-bug, fly away home, your house is on fire, your children's alone," and she took wing and went off to see about it -- which did not surprise the boy, for he knew of old that this insect was credulous about conflagrations, and he had practised upon its simplicity more than once.
I rang the bell of this small bed-and breakfast place, whereupon a lady appeared at an outside window. "What do you want?", she asked. "I want to stay here", I replied. "Well, stay there then", she said and closed the window.
Courage can't make you an artist, but without that courage, you won't remain one for long. First is the courage to be alone in the room where you create, and the courage to face that indefinitely, with no one to say if you are any good or not. Then, there is the courage to follow your work wherever it's going to take you. And the courage to fight for your work.
Milk?” Lady Bridgerton asked. “Thank you,” Gareth replied. “No sugar, if you please.” “Hyacinth takes hers with three,” Gregory said, reaching for a piece of shortbread. “Why,” Hyacinth ground out, “would he care?” “Well,” Gregory replied, taking a bite and chewing, “he is your special friend.
You men make up these rules, and now you get mad because I'm telling you what a real woman wants. She wants you to treat her like a lady if you want her to sit up there and put on all the lingerie!
When I was a boy I used to do what my father wanted. Now I have to do what my boy wants. My problem is: When am I going to do what I want?
If you want to make an audience laugh, you dress a man up like an old lady and push her down the stairs. If you want to make comedy writers laugh, you push an actual old lady down the stairs.
Someone once said that to make a regular person laugh, you need to dress a guy up like an old lady and push him down the stairs. To make a comedy writer laugh, you have to push a real old lady down the stairs. I don't know who that's attributed to. I think it's Aristophanes. Or Catherine the Great.
It was an old, old, old, old lady, And a boy who was half-past three; And the way they played together Was beautiful to see.
To gain your heart's desire you have to lose some part of your old life, your old self. To do that you have to have courage; without it, you can't make the leap. And if you don't make the leap you have only three choices: You can hate yourself for not taking the chance, you can hate the person from whom you've sacrificed your happiness, or you can hate the one who offered you happiness, and blame them for your lack of courage, convince yourself it wasn't real.
Years may wrinkle the skin, but to give up interest wrinkles the soul. You are as young as your faith, as old as your doubt; as young as your self-confidence, as old as your fear; as young as your hope as old as your despair. In the central place of every heart there is a recording chamber. So long as it receives messages of beauty, hope, cheer and courage, so long are you young. When your heart is covered with the snows of pessimism and the ice of cynicism, then, and then only, are you grown old. And then, indeed as the ballad says, you just fade away
Look at the earth crowded with growth, new and old bursting from their strong roots hidden in the silent, live ground, each seed according to its own kind...each one knowing what to do, each one demanding its own rights on the earth. So artist, you too from the depths of your soul...let your roots creep forth, gaining strength.
Cept for Ben, who I can’t describe much further without seeming soft and stupid and like a boy, so I won’t, just to say that I never knew my pa, but if you woke up one day and had a choice of picking one from a selecshun, if someone said, here, then, boy, pick who you want, then Ben wouldn’t be the worst choice you could make that morning.
Mr. Faulkner, of course, is interested in making your mind rather than your flesh creep.
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