A Quote by Charles Dickens

I distress you; I draw fast to an end. — © Charles Dickens
I distress you; I draw fast to an end.
Despite its successes, in the end, philosophical thinking always falls short of its real goal. It involves both the wonder of aspiring toward the Truth and the distress of falling short of that Truth. In this way, philosophy can be characterized as wondrous distress.
The idea of the damsel in distress is fast becoming obsolete.
I'm a comic book artist. So I think to myself, what do I like to draw? I like to draw hot chicks, fast cars and cool guys in trench coats. So that's what I write about.
I'm a comic book artist. So I think to myself, what do I like to draw? I like to draw hot chicks, fast cars and cool guys in trench coat. So that's what I write about.
No matter our distress, no matter our sorrow, no matter our mistakes, our infinitely compassionate Heavenly Father desires that we draw near to Him so that He can draw near to us.
Religious distress is at the same time the expression of the real distress and also the protest against real distress. Religion is the sigh of the oppressed creature, the heart of a heartless world, just as it is the spirit of the spiritless condition. It is the opium of the people.
My religion teaches me that whenever there is distress which one cannot remove, one must fast and pray.
When I started school, I would draw pictures at the end of my sentences: a house, a flower, a tree, a bird. Whatever was in the sentence, I'd draw it.
I would often draw in my sleep. That alone made for twice the work... I couldn't use the weird stuff I drew while dozing off, so I'd end up having to draw it all over again.
She was a stirrer of the pot, a lover of intrigue and distress, a creature who seemed to draw oxygen from the spectacle of people at each other's throat, everybody in a state of upset and talking about her.
The reason for great distress is the body. Without it, what distress could there be?
Inflicting emotional distress has typically been treated as a civil action. How 'substantial' does the distress have to be for it to turn criminal?
My technique of working is I go around with my iPhone and with my sketchbook. I take thousands and thousands and thousands of iPhone photos. I also draw from life. I can draw really, really, really fast. It's a way that I build a rapport with people.
'The long-suffering man abounds in understanding' (Prov. 14:29), because he endures everything to the end and, while awaiting that end, patiently bears his distress. The end, as St. Paul says, is everlasting life (cf. Rom. 6:22). 'And this is eternal life, that they might know You the only true God, and Jesus Christ whom You have sent' (Jn. 17:3).
When I look around the world, I don't see too many damsels in distress. If they're a damsel in distress, they're manipulating some guy to help them.
I draw all the time. Drawing is my backbone. I don't think a painter has to be able to draw, I just think that if you draw, you better draw well.
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