A Quote by Charles Dickens
Château and hut, stone face and dangling figure, the red stain on the stone floor, and the pure water in the village well-thousands of acres of land-a whole province of France-all France itself-lay under the night sky, concentrated into a faint hairbreadth line. So does a whole world, with all its greatnesses and littlenesses, lie in a twinkling star.
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So does a whole world, with all its greatnesses and littlenesses, lie in a twinkling star. And as mere human knowledge can split a ray of light and analyse the manner of its composition, so, sublimer intelligences may read in the feeble shining of this earth of ours, every thought and act, every vice and virtue, of every responsible creature on it.
I consider that all Jews in the Diaspora, and thus it is true in France, should everywhere they can lend their support to Israel. This is why it is also important that Jews take political responsabilities. .... In sum, in my functions and in my everyday life, through the whole of my actions, I try to make so that my modest stone is brought to the construction of the land of Israel.
Every thing thinks, but according to its complexity. If this is so, then stones also think...and this stone thinks only I stone, I stone, I stone. But perhaps it cannot even say I. It thinks: Stone, stone, stone... God enjoys being All, as this stone enjoys being almost nothing, but since it knows no other way of being, it is pleased with its own way, eternally satisfied with itself.
It is not enough that France should be regarded as a country which enjoys the remains of a freedom acquired long ago. If she is still to count in the world--and if she does not intend to, she may as well perish--she must be seen by her own citizens and by all men as an ever-flowing source of liberty. There must not be a single genuine lover of freedom in the whole world who can have a valid reason for hating France.
In the desert, the two primary elements are stone and water. Stone comes in abundance, exposed by weathering and a lack of vegetation. It is a canvas. Water crosses this stone with such rarity and ferocity that it tells all of its secrets in the shapes left behind.
Writing a film is like building a brick wall. You have a plan, and you have the blocks. Then, somebody says, 'I think we'll take this stone out of here and put it over there. And while we're at it, let's make this stone red and that stone green.'
Wait until France gets a hard shot in the nose. Wait until France reacts with some nasty work. They'll get a golf-clap from the chattering class over here and a you-go-girl from Red America. France could nuke an Algerian terrorist camp and the rest of the world would tut-tut for a day, then ask if the missiles France used were for sale. And of course the answer would be oui.
There was only the broad square with the scattered dim moons of the street lamps and with the monumental stone arch which receded into the mist as though it would prop up the melancholy sky and protect beneath itself the faint lonely flame on the tomb of the Unknown Soldier, which looked like the last grave of mankind in the midst of night and loneliness.
Having viewed Europe as an extension and projection of itself, France now finds Europe developing a mind and identity of its own which embraces France but is not controlled by France.
As from a star I saw, coldly and soberly, the separateness of everything. I felt the wall of my skin; I am I. That stone is a stone. My beautiful fusion with the things of this world was over.
I'm opposed to wearing headscarves in public places. That's not France. There's something I just don't understand: the people who come to France, why would they want to change France, to live in France the same way they lived back home?
One evening, when we were already resting on the floor of our hut, dead tired, soup bowls in hand, a fellow prisoner rushed in and asked us to run out to the assembly grounds and see the wonderful sunset. Standing outside we saw sinister clouds glowing in the west and the whole sky alive with clouds of ever-changing shapes and colors, from steel blue to blood red. The desolate grey mud huts provided a sharp contrast, while the puddles on the muddy ground reflected the glowing sky. Then, after minutes of moving silence, one prisoner said to another, "How beautiful the world could be.
When sculpting the human figure in stone it is necessary to draw the whole form out of the content of the head.
Three Rings for the Elven-kings under the sky, Seven for the Dwarf-lords in halls of stone, Nine for Mortal Men, doomed to die, One for the Dark Lord on his dark throne In the Land of Mordor where the Shadows lie. One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them. In the Land of Mordor where the Shadows lie.
It seemed she was in a cathedral—if, that is, the earth itself were to dream a cathedral into being over thousands of years of water weeping through stone.
In winter there is no heat, no light, no noon, evening touches morning, there is fog, and mist, the window is frosted, and you cannot see clearly. The sky is but the mouth of a cave. The whole day is the cave.... Frightful season! Winter changes into stone the water of heaven and the heart of man.
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