A Quote by Charles Dickens
The secret was such an old one now, had so grown into me and become a part of myself, that I could not tear it away.
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Certainly something had happened to me during the night. Or after months of tension I had arrived at the edge of some precipice and now I was falling, as in a dream slowly, even as I continued to hold the thermometer in my hand, een as I stood with the soles of my slippers on the floor, even as I felt myself solidly contained by the expectant looks of my children. It was the fault of the torture that my husband had inflicted. But enough, I had to tear the pain from memory, I had to sandpaper away the scratches that were damaging my brain.
I knew that somewhere God was laughing. He had taken the other half of my heart, the one person who knew me better than I knew myself, and He had done what nothing else could do. By bringing us together, He had set into motion the one thing that could tear us apart.
It is true that I didn't write any poetry between 1995 and 2011. The reason for this was probably because I had stayed away from fiction for so long and couldn't tear myself away from it.
It no longer makes me cry and die and tear myself to see her go because everything goes away from me like that now — girls, visions, anything, just in the same way and forever and I accept lostness forever.
Pressure to me now has become almost part of my life. It doesn't really affect me anymore. People talk about me being under pressure or having pressure of having to come in and be this great player that everyone expects me to be right away. It doesn't really faze me. It's become second nature now. It's almost like it would be weird not to have it.
There's a big part of me that would love to be a secret agent. But if I showed up to do an investigation and interrogate someone now, they wouldn't be able to take me seriously. I've ruined that for myself.
Dreams, dreams. I walk them; I live them. I delude myself with them. It's a wonder I can spot reality anymore."... He turned from me with a sigh. "I need a drink."... "Oh, good. That'll fix everything. I'm glad in a world gone mad, you've still got your old standbys."... "What do you expect me to do?" he asked. "You could... You could... Well, now that you're here, you could help us. Plus, this guy we're meeting. He's another spirit user."... "Yeah, that's exactly what I want. To help my girlfriend get her old boyfriend back. " He turned away again, and I heard him mutter, "I need two drinks."
I realised those things my ego needed - fame and success - were going to make me terribly unhappy. So I wrenched myself away from that. I had to. I had to walk away from America and say goodbye to the biggest part of my career because I knew, otherwise, my demons would get the better of me.
At forty-two, I had never done anything that took my own breath away, and I suppose now that was part of the problem--my chronic inability to astonish myself. I promise you, no one judges me more harshly than I do myself; I caused a brilliant wreckage. Some say I fell from grace; they're being kind. I didn't fall. I dove.
When I was ten, I read fairy tales in secret and would have been ashamed if I had been found doing so. Now that I am fifty, I read them openly. When I became a man I put away childish things, including the fear of childishness and the desire to be very grown up.
You see, it took me so long, it was such a struggle, to move myself out of musicals - because I had had a success, nobody wanted to allow me to direct a non-musical picture. It was so hard. And the only way I could get it going was to become a producer myself.
When I see myself at 14 years old I can put my hands on my head and think: 'How could I have done that?' but at that time it had sense for me. You do the same when you're 20. And now, when you look at people who are 20 years old you ask yourself: 'Was I like that? Was I really like that?'
For me, Instagram had become a place where I could image myself the way I found myself.
I have skipped from style to style from film to film, and I love doing that because it's given me the ability to free myself from the past. Perhaps one of the worst feelings that I can have is the feeling that I'm locked in, like a prisoner of myself, which is something we all feel at some point in our lives. So part of making those stylistic jumps is just to free myself up-to get away from the old or the old Oliver Stone.
I was 'alone' amongst the animal kingdom and I required of myself to see what was truly going on inside me so that my own true potential could step forth. Therefore I died so that heaven could show me who I had become, within that showing me to myself as who I am, what I am going to be doing and where all of you fit into the picture.
Usually I'm trying to get away from my discography. I don't think I could tear down everything I've done, the structures I've created - you know, like what Miles Davis did eight times in a row, which was destroy every kind of crutch or system he had for making music. That's very, very difficult. When I reflect on my catalog, I'm very proud of it, and I love it, but what I want to do now is completely different. When I don't do something different, I feel like I'm cheating - consciously or unconsciously stealing from myself.
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