A Quote by Charles Duhigg

We like songs that are familiar. — © Charles Duhigg
We like songs that are familiar.

Quote Topics

So I usually call the songs when I get on the stage, according to what the crowd feels like to me. I can jump from 50 years ago to right up to now, and people will be familiar with the songs. And since we never do them the same way, it's a new experience.
I like to compare the holiday season with the way a child listens to a favorite story. The pleasure is in the familiar way the story begins, the anticipation of familiar turns it takes, the familiar moments of suspense, and the familiar climax and ending.
I was never particularly a part of the following of tango; I just liked it... most of all, I recognized that the urban content and the approach seemed very familiar and very connected to the songs that I was doing, the kind of songs that I wanted to write - the songs about the street.
I remember when I was doing my first Christmas album, I thought, 'Wouldn't it be nice to find new Christmas songs?' Then I went, 'Are you crazy?' When I decorate my tree I don't want new Christmas songs, I want to hear all the familiar songs!
Often for me, if I hear a song I know, it clicks for me and I hear it in a different way and I think, "I could sing that song. I've got something to say about that song. Wanting to connect with an audience and wanting them to rethink songs; it is actually important to do songs they're familiar with. Also, I love those songs. In a way, I think I've changed people's perceptions of what a cabaret show like this could be.
I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
There's nothing I like better than talking to kids, just sharing the music with them. To relate to them, you need to play songs they're familiar with.
Too often, politics is like bad theater. The mass media simplifies stories and personalities into their most basic, digestible and familiar bits. Listeners prefer songs they have heard before, after all.
I like making songs up. Whether or not they're great songs or good songs, whatever. It's something I've always done, and I definitely feel like I've gotten better at it.
I have country songs, I have rock songs, I have songs that don't even sound like songs.
He shifted over without comment, lifting the blankets, and I scrambled into the warm sheets beside him. He smelled like soap and sleep and bare skin. He smelled familiar. Not the deja vu familiar of Guy or Mel. Familiar like...the ache in your chest of homesickness, of longing for harbor after weeks of rough seas or craving a fire's warmth after snow--or wanting back something you should never have given away.
I don't love playing new songs in a festival environment. Because when it comes to a festival a lot of people probably won't know your band really well at all so playing more familiar songs is a little more conducive in having a better show.
The Stones were nasty and ugly and doing songs I was familiar with.
There is a lot of melody and things that sound familiar in hundreds of songs.
I also tried to focus on songs that Billie Holiday wrote, songs that she had a hand in shaping, like "Strange Fruit"; songs that were written for her or songs that she wrote herself, like "Fine and Mellow" or "God Bless The Child."
I was immersed in popular songs of the time, of the '30s and '40s. I was writing songs, making fun of the attitudes of those songs, in the musical style of the songs themselves; love songs, folk songs, marches, football.
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