A Quote by Charles Duhigg

In 1688, Edward Lloyd opened a coffeehouse on London's seafront popular among underwriters, men in powdered wigs with mathematical minds and steely constitutions who offered to compensate owners if their boats were lost at sea.
Unfortunately, half the boats were lost in a great storm at sea, and many members of the six boats that did make it to their destinations safely, were later killed by the very native people to whom they sought to transmit their knowledge of the Atlantean sciences, arts and metaphysics.
If I negate powdered wigs, I am still left with unpowdered wigs.
Maybe life was like a sea, and all the people were like boats ... Everybody who was born was cast into the sea. Winds would blow them in all directions. Tides would rise and turn, in their own rhythm. And the boats - they just went along as best they could, trying to find a harbor.
The sea is the same as it has been since before men ever went on it in boats.
Where is your ancient courage? You were used to say extremities was the trier of spirits; That common chances common men could bear; That when the sea was calm all boats alike showed mastership in floating.
If the system exhibits a structure which can be represented by a mathematical equivalent, called a mathematical model, and if the objective can be also so quantified, then some computational method may be evolved for choosing the best schedule of actions among alternatives. Such use of mathematical models is termed mathematical programming.
The little cares that fretted me, I lost them yesterday Among the fields above the sea, Among the winds at play.
I was like a packet of powdered Sea Monkeys and they were like water.
I wrote a tennis book about Chris Evert and her then-husband, John Lloyd. It was called 'Lloyd on Lloyd' and became a No 1 bestseller.
And the lost heart stiffens and rejoices in the lost lilac and the lost sea voices and the weak spirit quickens to rebel for the bent golden-rod and the lost sea smell quickens to recover.
In spite of their obvious differences, folk art and popular art have much in common; they are easy to understand, they are romantic, patriotic, conventionally moral, and they are held in deep affection by those who are suspicious of the great arts. Popular artists can be serious, like Frederick Remington, or trivial, like Charles Dana Gibson; they can be men of genius like Chaplin or men of talent like Harold Lloyd; they can be as uni versal as Dickens or as parochial as E.P. Roe; one thing common to all of them is the power to communicate directly with everyone.
In 1688 England contracted to the Netherlands the highest debt that one nation can owe to another. Herself not knowing how to recover her liberties, they were restored by men of the United Provinces.
The coffeehouse is good for genius, and the Viennese coffeehouse is a classic case. Freud had his favorite coffee shop, and so did Gustav Klimt.
I tensed for the spring, my eyes squinting as I cringed away, and the sound of Edward's furious roar echoed distantly in the back of my head. His name burst through all the walls I'd built to contain it. Edward, Edward, Edward. I was going to die. It shouldn't matter if I thought of him now. Edward, I love you.
Lloyd George? There is no Lloyd George. There is a marvellous brain; but if you were to shut him in a room and look through the keyhole there would be nobody there.
We have many accommodation owners - people who own small hotels, villas and bungalows - and the digital economy has opened up a world of possibility for these business owners. Now, they can sell to and communicate with people around the world, and where Booking.com comes in is to help these accommodation owners adapt to the digital world.
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