A Quote by Charles Duke
The Moon was the most spectacularly beautiful desert you could ever imagine. Unspoilt. Untouched. It had a vibrancy about it and the contrast between it and the black sky was so vivid, it just made this impression of excitement and wonder.
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I think the thing that impressed me the most was the Lunar's sunrises and sunsets. These in particular bring out the stark nature of the terrain. . . . The horizon here is very, very stark, the sky is pitch black and the earth, or the moon rather, excuse me, is quite light, and the contrast between the sky and the moon is a vivid dark line.
To hike out alone in the desert; to sleep on the valley floor on a night with no moon, in the pitch black, just listening to the boom of silence: you can't imagine what that's like.
We had the sky up there, all speckled with stars, and we used to lay on our backs and look up at them, and discuss about whether they was made, or only just happened - Jim he allowed they was made, but I allowed they happened; I judged it would have took too long to make so many. Jim said the moon could a laid them; well that looked kind of reasonable, so I didn't say nothing against it, because I've seen a frog lay most as many, so of course It could be done.
Somewhere, things must be beautiful and vivid. Somewhere else, life has to be beautiful and vivid and rich. Not like this muted palette -a pale blue bedroom, washed out sunny sky, dull green yellow brown of the fields. Here, I know ever twist of every road, every blade of grass, every face in this town, and I am suffocating.
What was supposed to be so special about a full moon? It was only a big circle of light. And the dark of the moon was only darkness. But halfway between the two, when the moon was between the worlds of light and dark, when even the moon lived on the edge...maybe then a witch could believe in the moon.
SUN, MOON, AND STARRY SKY Early summer evenings, when the first stars come out, the warm glow of sunset still stains the rim of the western sky. Sometimes, the moon is also visible, a pale white slice, while the sun tarries. Just think -- all the celestial lights are present at the same time! These are moments of wonder -- see them and remember.
We're at 103,000 feet. Looking out over a very beautiful, beautiful world . . . a hostile sky. As you look up the sky looks beautiful but hostile. As you sit here you realize that Man will never conquer space. He will learn to live with it, but he will never conquer it. Can see for over 400 miles. Beneath me I can see the clouds. . . . They are beautiful . . . looking through my mirror the sky is absolutely black. Void of anything. . . . I can see the beautiful blue of the sky and above that it goes into a deep, deep, dark, indescribable blue which no artist can ever duplicate. It's fantastic.
To keep people interested, your presentation needs to have contrast. As humans we process contrast. We are assessing "what's the same," "what's different," "what's like me," "what's not like me." Humans stay interested if they can process contrast. Varying types of contrast can be used. With content, you can contrast between what is and what could be or between your perspective and alternative perspectives.
I could distinguish the shape of her bosom, her arms, her thighs, just as I remember them now, just as now, when the Moon has become that flat, remote circle, I still look for her as soon as the first sliver appears in the sky, and the more it waxes, the more clearly I imagine I can see her, her or something of her, but only her, in a hundred, a thousand different vistas, she who makes the Moon the Moon and, whenever she is full, sets the dogs to howling all night long, and me with them.
They began to tune up, and suddenly the auditorium was filled with a single sound - the most alive, three-dimensional thing I had ever heard. It made the hairs on my skin stand up, my breath catch in my throat....I felt the music like a physical thing; it didn't just sit in my ears, it flowed through me, around me, made my senses vibrate. It made my skin prickle and my palms dampen...It was the most beautiful thing I had ever heard.
A child's world is fresh and new and beautiful, full of wonder and excitement. It is our misfortune that for most of us that clear-eyed vision, that true instinct for what is beautiful, is dimmed and even lost before we reach adulthood.
Adults who loved and knew me, on many occasions sat me down and told me that I was black. As you could imagine, this had a profound impact on me and soon became my truth. Every friend I had was black; my girlfriends were black. I was seen as black, treated as black, and endured constant overt racism as a young black teenager.
The hardest role that I've ever tried to play was Clara Johnson in 'Light in the Piazza' at Lincoln Center. It was the least fun I've ever had, but the most beautiful experience I've ever had. I could not understand her. I could not put my feet in her shoes. I came home every night, and I was depressed.
Standing at the edge of our city, a man could feel that we had made this place of streets and dwellings in the stillness of the desert, and that we had done a brave thing... Or a man could feel that we had made this city in the desert and that it was a fake thing and that our lives were empty lives, and that we were the contemporaries of the jack rabbits.
About the time I was 7, I got really into black-exploitation films, so I made my own Wonder Woman, but I made her black.
I watched the night sky with it's countless stars and its moon, and I wondered about the universe and all that had been created, why the stars and the moon rose at night and the sun in the day, how vast it must be, how I could never understand the infinite measure of its size.
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