A Quote by Charles E. Burchfield
Get yourself to a vantage point of seclusion and view the world with your eyes alone. Think of the infinite spaces of the skies and the world beneath.
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By choosing better feeling thoughts and by speaking more of what you do want and less of what you don't want, you will gently tune yourself to the vibrational frequency of your Broader Perspective. To see your world through the eyes of Source is truly the most spectacular view of life, for from that vibrational vantage point, you are in alignment with, and therefore in the process of attracting, only what you would consider to be the very best of your world.
A single ego is an absurdly narrow vantage point from which to view the world.
When you play a character, you get to see the world through their eyes. Whether it's a fictional world or a real world, you do get to see somebody else's point of view, whether he's a good guy or a bad guy.
Your principle should be to see everything and say nothing. The world changes so rapidly that if you want to get on you cannot afford to align yourself with any person or point of view.
What kind of world does one see when one experiences it from the point of view of two and not one? What is the world like when it is experienced, developed and lived from the point of view of difference and not identity? That is what I believe love to be.
I think you have to have a real point of view that's your own. You have to tell it your way. And, I think that it's a mistake to shoot for a specific magazine's point of view because it's never going to be as good. You have to shoot for yourself and photograph [ the way] you believe it.
Reading is a technology for perspective-taking. When someone else's thoughts are in your head, you are observing the world from that person's vantage point.
Part of an actor's job is to actually adopt the world-view of the character she is playing and to tell the story from that vantage point. If an actor represses large aspects of their personality, they will have a severely limited range and castability. Great actors cultivate effortless access to their subpersonalities. Many acting teachers call this 'freeing your instrument.'
In this external world, which is full of finite things, it is impossible to see and find the Infinite. The Infinite must be sought in that alone which is infinite, and the only thing infinite about us is that which is within us, our own soul. Neither the body, nor the mind, nor even our thoughts, nor the world we see around us, is infinite.
The mind is sharper and keener in seclusion and uninterrupted solitude. Originality thrives in seclusion free of outside influences beating upon us to cripple the creative mind. Be alone-that is the secret of invention: be alone, that is when ideas are born.
What I want to tell you today is not to move into that world where you're alone with yourself and your mantra and your fitness program or whatever it is that you might use to try to control the world by closing it out. I want to tell you just to live in the mess. Throw yourself out into the convulsions of the world. I'm not telling you to make the world better, because I don't believe progress is necessarily part of the package. I'm telling you to live in it. Try and get it. Take chances, make your own work, take pride in it. Seize the moment.
A man's thinking goes on within his consciousness in a seclusion in comparison with which any physical seclusion is an exhibition to public view.
If you tailor your news viewing so that you only get one point of view, well of course you're going to think somebody else has got a different point of view, and it may be wrong.
If ever you come upon a grove of ancient trees which have grown to an exceptional height, shutting out a view of sky by a veil of pleached and intertwining branches, then the loftiness of the forest, the seclusion of the spot and your marvel at the thick unbroken shade in the midst of the open spaces, will prove to you the presence of deity.
Our time has been distinguished, more than by anything else, by a mastery, a control, of the external world, and by an almost total forgetfulness of the internal world. If one estimates human evolution from the point of view of knowledge of the external world, then we are in many respects progressing. If our estimate is from the point of view of the internal world, and of oneness of internal and external, then the judgment must be very different.
In the closing years of the nineteenth century, African-American historians began to look at their people's history from their vantage point and their point of view.
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