A Quote by Charles E. Burchfield
An artist finds his happiest combination in a play of complementary colors. They are direct contrasts yet do not jar; they awaken the beholder, but do not disturb him.
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My choice of colors does not rest on any scientific theory; it is based on observation, on feeling, on the experience of my sensibility. Inspired by certain pages of Delacroix, an artist like Signac is preoccupied with complementary colors, and the theoretical knowledge of them will lead him to use a certain tone in a certain place. But I simply try to put down colors which render my sensation.
What I most cherish is the observation of the movement of colors. Only in this have I found the laws of those simultaneous and complementary color contrasts that nourish the actual rhythm of my vision. In this I find the actual essence, an essence which is not born out of an a priori system or theory.
A person needs new experiences. They jar something deep inside, allowing you to grow. Without them, it sleeps- seldom to awaken. The sleeper must awaken.
Far from wishing to awaken the artist in the pupil prematurely, the teacher considers it his first task to make him a skilled artisan with sovereign control of his craft.
Like the adolescent, the artist is a dreamer and a revolutionary; like the adolescent, he often finds his accomplishment inadequate to his imaginings. But his dream, setting him apart, helps him to escape the burden of the real.
Colors close together on the color wheel are analogous and will make a calm room. Colors that are farther apart are complementary and add drama.
My notion about any artist is that we honor him best by reading him, by playing his music, by seeing his plays or by looking at his pictures. We don't need to fall all over ourselves with adjectives and epithets. Let's play him more.
Though the artist must remain master of his craft, the surface, at times raised to the highest pitch of loveliness, should transmit to the beholder the sensation which possessed the artist.
A Godly leader ... finds strength by realizing his weakness
finds authority by being under authority
finds direction by laying down his plans
finds vision by seeing the needs of others
finds credibility by being an example
finds loyalty by expressing compassion
finds honor by being faithful
finds greatness by being a servant
The director works as an interpretive artist, but he's still an artist, so you also have to give him room to create and to put his vision of the play or his translation or interpretation of the material on the stage.
The motif must always be set down in a simple way, easily grasped and understood by the beholder. By the elimination of superfluous detail, the spectator should be led along the road that the artist indicates to him, and from the first be made to notice what the artist has felt.
I feel that my job, as an artist, is to disturb the peace. And to disturb it intellectually, linguistically, politically and literally.
Our happiest times are those in which we forget ourselves, usually in being kind to someone else. That tiny moment of self-abdication is an act of true humility: the man who loses himself finds himself and finds his happiness.
When Darroc returns, I know by the look in his eyes that I've chosen well. He thinks I picked black and red for him, the colors of his guard, the colors he has told me he selected for his future court. I chose black and red for the tattoos on Barrons' body. Tonight I wear my promise to him that I will make things right.
He is happiest, be he king or peasant, who finds peace in his home.
But what I attach great importance to is observation of the movement of colors. It is only in this way that I have found the laws of complementary contrast and the simultaneity of those colors that nourish the rhythm of my vision. There I find the representative essence — which does not arise from a system or an a priori theory.
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