A Quote by Charles Evers

The least I can do is show Medgar I still care. And Martin. — © Charles Evers
The least I can do is show Medgar I still care. And Martin.
My life has never been defined as Roland Martin, CNN; Roland Martin, TVOne; or Roland Martin, 'Tom Joyner Morning Show.' I'm appreciative of all of those platforms, but I've done all different things. I'm still Roland Martin.
I'm old enough to have lived through a time when Martin Luther King Jr., Medgar Evers, Viola Liuzzo, Andrew Goodman, Michael Schwerner, James Chaney, and others died so people of color could vote.
I was sitting on the bus, and the sign said if you're ready to better your life, come to Medgar Evers College, and I got off the bus and went to Medgar Evers College.
We still are America though. We're still a country that is a country of social mobility. We're still a country of immigrants. We're still a country with common ancestors. And reviving the civics of America and the idea that we're going to be united, at least not right now, but in some common future, and talking in that hopeful way that Martin Luther King did, that Abraham Lincoln did, seems to me that's the way.
[James] Baldwin was a celebrity. A TV show like Kenneth Clark could put him aside of Martin Luther King Jr. and Malcolm X. He was, at least, one of the three most important spokesmen of the movement and of the black community.
I always say I'm not going to care this time, but I always do. Like, I did one this season called Tax Man with Martin Short, which was like, "Are you kidding me? Doing a pilot with Martin Short? Like, career high." And I just assumed, because it's Martin Short, like, "How are they not going to pick that up?" But they didn't.
I don't think my success or me having the opportunity to have success is from our generation. I think it's from the generations before us. I think it's the fact that people like Martin Luther King and Medgar Evers and people like that fought for us to have the freedom to do and say what we want and have the opportunity to make money.
Aaron Sorkin whole thing was that he didn't want the pomposity of the presidency in the West Wing. But once we cast Martin Sheen and we realised Martin's incredible accessibility, nothing felt pompous or aloof. If the show is about all the planets, let's end it with the sun.
Medgar Evers was assassinated in his driveway retuning from an NAACP meeting in downtown Jackson. And then you go back there years later, and the blood is still on the driveway. They cannot wash it away.
I've always believed that poetry must speak of realities as least as complicated as those spoken of in prose. I've read books of poems, even single poems, which are, for me, at least the equivalent of a short story or a novel. Martin Amis, in an interview with Saul Bellow in the early eighties, quotes Bellow asking, "Why not address 'the mysterious circumstance of being', say what it's like to be alive at this time, on this planet?" This has been and still is my ambition.
Invariably, when people read the headline about Martin Shkreli, they hate Martin Shkreli. When they get to know Martin Shkreli, they love Martin Shkreli.
Our respect for the dead, when they are just dead, is something wonderful, and the way we show it more wonderful still. We show it with black feathers and black horses; we show it with black dresses and black heraldries; we show it with costly obelisks and sculptures of sorrow, which spoil half of our beautiful cathedrals. We show it with frightful gratings and vaults, and lids of dismal stone, in the midst of the quiet grass; and last, and not least, we show it by permitting ourselves to tell any number of falsehoods we think amiable or credible in the epitaph.
Did you ever stop to thnk about all the people we kill? They're always people who tell us to live together in harmony and try to love one another: Jesus, Ghandi, Lincoln, John Kennedy, Bobby Kennedy, Medgar Evers, Malcolm X, Martin Luther King, John Lennon. They all said: 'Try to live together peacefully.' BAM! Right in the f--in head! Aparently we're not ready for that!
As far as how important the real-life resonance of the stories is, I think it must play at least a small role in the show's success, because it gives the show this sense of suspense from the fact that it seems at least plausible.
In a way, making Martin Ellingham the way he is was a corrective exercise for my acting - to keep a bit still and show a little control. I do like it - it's like having an instrument that you can play and that you can pick up and enjoy playing.
To hate is to show you still care, who needs that, focus on what's really important.
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