A Quote by Charles Forsman

I'd rather be a cartoonist. I don't want to be a publisher. — © Charles Forsman
I'd rather be a cartoonist. I don't want to be a publisher.
I don't consider myself a cartoonist, because to me a cartoonist has a lot of technical ability to draw and such. However, I do consider myself to have a bit of a cartoonist character. I definitely am analyzing and satirizing pop culture and politics and whatever strikes my fancy.
If you want to publish two books a year under your own name and your publisher doesn't, maybe you need a different publisher.
You want to publish with a publisher because a publisher knows how to publish a book. And you don't. You really don't.
Big publishers want you to change this and change that. I'd rather go to a little publisher - who needs the tsuris.
Freedom of the press, or, to be more precise, the benefit of freedom of the press, belongs to everyone – to the citizen as well as the publisher… The crux is not the publisher’s ‘freedom to print’; it is, rather, the citizen’s ‘right to know.’
I think that a really good agent should be able to get the right publisher, which the agent has already figured out, get as much money as she can from that publisher, and make a deal, rather than have the amount of money determine the sale. That's what the best agents do.
If you're a balanced cartoonist, you're not a cartoonist. You definitely have to have a bias.
If a good cartoonist can make a living making his comics, he'll continue to do that; the lesser insincere cartoonist that gets a lot of press will fall by the wayside eventually.
I write separately from the inking up. I'm sure this varies from cartoonist to cartoonist; I find that the writing is the hard part and the drawing is the fun part.
As soon as I finished 'The Finkler Question,' I was in despair. I'd changed my English publisher because they'd been lukewarm about it and not offered enough money. The American publisher didn't like it. The Canadian publisher didn't like it... I'd been bleeding readers since my first novel, and I could see my own career going down.
I went through a phase where people would introduce me at parties as a cartoonist, and everybody felt sorry for me. 'Oh, Matt's a cartoonist.' Then people further feeling sorry for me would ask me to draw Garfield. Because I'm a cartoonist, draw Snoopy or Garfield or something.
No publisher should ever express an opinion on the value of what he publishes. That is a matter entirely for the literary critic to decide. I can quite understand how any ordinary critic would be strongly prejudiced against a work that was accompanied by a premature and unnecessary panegyric from the publisher. A publisher is simply a useful middle-man. It is not for him to anticipate the verdict of criticism.
A successful self-publisher must fill three roles: Author, Publisher, and Entrepreneur—or APE.
An e-book distributor is not a publisher, but rather a purveyor of work that has already been created.
I never really thought of myself as an Asian-American cartoonist, any more than I thought of myself as a cartoonist who wears glasses.
We had tried to get a couple books that were written about Ray Kroc, and one of the books, we called the publisher. The publisher actually said, "Call McDonald."
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