A Quote by Charles Forsman

There are lots of theories that the simpler a comic character is drawn the more relatable they become. People can imprint themselves onto the gaps in the picture. The skill of cartooning is often working out how much can be stripped away.
Comic books sort of follow with the move - if people see the movie and if they're interested in the character and want to see more of the character, they start buying the comic books. So a good movie helps the sale of the comic books and the comic books help the movie and one hand washes the other. So, I don't think there's any reason to think that comics will die out.
Over the years, I've found myself drawn more and more to simpler meals, to dishes that are focused, and to experiences that strip away the excess.
I played this character twice in live action, and now I've become an animated character. It was actually fun to see myself drawn - I've never been a drawn character before.
How much more interesting life would be if only more people had the courage and skill to act themselves, instead of abjectly understudying some one else!
I'm drawn to talented, creative people who often just don't know how to support themselves - they're more focused on their work than trying to figure that out. So I commission a lot of works with artists who I like personally or professionally, and through that process, I wound up collecting a lot of art.
I have lots of gaps in my education, and so I'm often picking up classic books that most people read years ago.
I did often wonder how relatable of a story it was when we started 'Better Call Saul.' It's such a unique character with a unique journey. But the universal drive of trying to earn respect from the people you love and not being able to do that is a common struggle for a lot of people.
I like gaps; all my stories have gaps. It seems this is the way people's lives present themselves.
What do you do when your world is falling apart? How do you hold onto the real and the rational? I think that's very relatable for people.
Sometimes perception is almost more important than the skill level of an actor. And if you give too much away, you have nothing to take for yourself and put onscreen. If people feel like they know you too well, they won't be able to indentify with the character you're trying to portray. Or they'll feel that you're just playing yourself, and then you just become a personality actor. And that's the death of any actor.
If you want people to know how much you care, show them how much you remember. Learn their names and use them often. It's an important skill to develop.
My future plans are hazy, and I've yet to experience how much cartooning is in my blood and therefore how much I'll miss it. But I have some other interests, especially in music, and I will probably take the opportunity to delve into those things more deeply.
Most change initiatives either fail or fall far short of original expectations. More often than not, resistance is cultural in nature but the real cause of lots of resistance often is that however much a team might say that it wants to change, the old assumptions are woven, invisibly, deep within the corporate culture, and from this staging ground they act invisibly to sustain the old order. Finding the assumption out and then rooting them out is a special skill. It calls for assumption hunters, I call them.
Men often stumble onto the truth but then quickly dust themselves off and hurry away.
I try to figure out how much of the character I can find in myself because you don't want to get outside of your skill-set.
Congress has become so dysfunctional that more and more of a burden is placed on the agencies to fill in the gaps. And the gaps get bigger and bigger because they're not constantly refreshed and tweaked.
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