When I was young, Tchaikovsky was ruined for me by conductors who made it slick and treacly. Hearing Valery Gergiev conduct Tchaikovsky has been a revelation - he brings out all its raw passion. And Gergiev with the super-virtuoso LSO - well, it's just the perfect combination.
Conducting is a strange thing to teach. There are very few great conducting teachers, and most great conductors don't teach. Look at Valery Gergiev - what he does is not teachable. A lot of it is on-the-job training, what works and what doesn't work.
Those who were still able to write beautiful melodies were kitsch composers like Tchaikovsky. Tchaikovsky approaches true art not in his numerous beautiful melodies, but when a melodic line is thwarted.
So who's perfect? ... Washington had false teeth. Franklin was nearsighted. Mussolini had syphilis. Unpleasant things have been said about Walt Whitman and Oscar Wilde. Tchaikovsky had his problems, too. And Lincoln was constipated.
My whole trick is to keep the tune well out in front. If I play Tchaikovsky, I play his melodies and skip his spiritual struggle.
The only winner in the War of 1812 was Tchaikovsky.
Tchaikovsky was one of the great melody writers of all time.
Roll over Beethoven, tell Tchaikovsky the news.
Underground, raw movies that come out of nowhere and change everything - they aren't slick-looking. But I have nothing against slick-looking as long as the scripts are funny.
I love anything by Tchaikovsky. He was the real pop star of his day.
I listed to Tchaikovsky. He is both kitsch and profound. I love that lack of "Good taste."
Deep down, classical Romantic music is what I love: Brahms, Tchaikovsky, the Romantics.
The Rhapsody is not a composition at all. It's a string of separate paragraphs stuck together - with a thin paste of flour and water... I don't think there has been such an inspired melodist on this earth since Tchaikovsky... but if you want to speak of a composer, that's another matter.
The heart of the classical repertory is the Tchaikovsky-Petipa 'Sleeping Beauty,' and no ballet is harder to get right.
The trick with 'Nutcracker' was figure out how much, and where, we could the Tchaikovsky - using as much as we possibly could and still support the storytelling.
Now I love hoops. I'm a diehard UCLA fan, have been since my freshman year. But basketball is the '1812 Overture.' Pomp and circumstance, fireworks and cannons, lots and lots of fun, and in the end, still Tchaikovsky.
Tchaikovsky’s Violin Concerto gives us for the first time the hideous notion that there can be music that stinks to the ear.