A Quote by Charles Hazlewood

I'd like to explode a few myths about what we call classical music. It's not high art for the titillation of a chosen few. — © Charles Hazlewood
I'd like to explode a few myths about what we call classical music. It's not high art for the titillation of a chosen few.
A few girls would be catty and say that my voice sounded really high, and I sang like a chipmunk, I got a few prank calls about that a few times. But it didn't really bother me that much. I think I was so focused on music that nothing could break me or get in my way.
The Art we look at is made by only a select few. A small group create, promote, purchase, exhibit and decide the success of Art. Only a few hundred people in the world have any real say. When you go to an Art gallery you are simply a tourist looking at the trophy cabinet of a few millionaires
By the late '50s, something was happening in England, and it got to be quite exciting. The music world then started to explode with the Beatles and the Rolling Stones. It was an incredible time with this mixture of independence in art, fashion, and the explosion of the pop sensibility. London was certainly at the center of it all for a few years. And as far as art is concerned, I think that sensibility of what was later called Pop art started in England even before America. And so I was lucky to be there.
I do not want art for a few any more than education for a few, or freedom for a few.
I wouldn't know anything about opera music if it wasn't for Bugs Bunny. That was my entire introduction to opera music. I wouldn't know anything about classical music if it wasn't for "Fantasia." They didn't have to do that stuff. They chose to base this ridiculous, funny, intriguing, creative story on this beautiful classical music. It's the combination of the high and the low that I thought was very cool. But I had no concept of it as a kid.
The principle of democracy is all about delegation of power by the vast majority of citizens through a few chosen representatives chosen on merit and competence.
I'm sure there are a few things in my CD collection that might surprise people. I like classical music, the blues, and I'm a big fan of alternative rock.
All I knew about Ethiopia was from a few records that I like, as well as what I read about the famine. But you get there and it's another world. It's filled with art and music and poetry and intellectuals and writers - all kinds of people.
Holiness of life is not the privilege of a chosen few - it is the obligation, the call, and the will of God for every Christian.
There's a phrase that art is something created by the few and admired by the many. Now it's not created by the few, it's created by anyone. They just plug in a drum machine and read some dirty high school poetry.
I've worked with some great orchestras and amazing classical musicians, but I don't like the conceptualization of classical music as an elitist form of art.
I understand that in people's eyes, classical music is kind of a lost and dying art, but in my eyes, it's like, "Oh, the musical language, which has been, in the past, only available to a scarce few at the top of the tower, is now wide open." Now people's ears are becoming more amenable to fake strings - I think this is great!
I'm thinking about learning a few new things - like taking classical guitar lessons - and I'd like to bring what I learn into hard rock.
Other than a few years of piano as a kid, I don't have all that much musical training. I played piano for all the musicals in high school and was in a few bands, but never really considered music as a viable career until I was in college.
When we talk about global crisis, or a crisis of humanity, we cannot blame a few politicians, a few fanatics, or a few troublemakers. The whole of humanity has a responsibility because it is our business, human business. I call this a sense of universal responsibility. That is a crucial point.
I was extremely fortunate to live around the corner from a recording studio and to be chosen to have a paper route to make enough money to pay for the music lessons. I was one of the chosen few to have a job and to walk through the curtain at Stax Records was just an amazing thing for me to do at age 14.
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