A Quote by Charles Ives

I don't write music for sissy ears. — © Charles Ives
I don't write music for sissy ears.
Ah, you fight like a sissy demon. (Takeshi) Sissy demon? Have you ever met a sissy demon? (Savitar) I killed three this morning. (Takeshi)
Another night I dreamed I heard heavenly music sounding in my ears, and a flock of sheep was gathering round it. When the music ceased, the sheep leaped for joy, and ran together, shaking their heads; and one shook his head almost off, and seemed to have nothing but ears.
Everybody who loves me calls me Sissy, so I guess that's just who I am. When I'm 80, they'll still be calling me Sissy. Oh, well, I guess there are worse things.
I'm a fan of 20th century orchestral music, the experimental avant-garde composers of the '50s, '60s, and '70s. In horror movies you can write music that if it was performed on the concert stage would have the audience running out of the room with their fingers in their ears. But in a movie all of a sudden it becomes incredibly accessible and appreciated.
There's music in the sighing of a reed; There's music in the gushing of a rill; There's music in all things, if men had ears; The earth is but the music of the spheres.
In horror movies, you can write music that if it was performed on the concert stage would have the audience running out of the room with their fingers in their ears. But in a movie, all of a sudden it becomes incredibly accessible and appreciated.
Everyone loves to run with music in their ears, but when the music becomes adaptive, the music plays a more important role in the experience.
I have no education, I have no academic background in painting or in music, but I write music and I compose music and I write and I sell paintings, and my rule is, well, they can't arrest me.
I'd always liked to write, but I never wanted to be a writer, because it seemed a sissy occupation. It is. To this day, I find it terribly easy. And so, rather than trying to hunt up a text, I just wrote one.
I guess the first big name I worked with was Sissy Spacek, and that was really interesting just because she's so incredible and I learned so much from just watching her. But she's also so unassuming that I loved working with her. It wasn't like working with a star, it was Sissy. Not a big deal.
I have these huge, pointed ears. They're like three times the size of Orlando Bloom's ears. And I think he has ear envy, I love my ears.
It's weird. I went so far away from music that I had to re-invent music again. I had to come back to music. I had to put music with an agenda down and at least write for my son, write to keep writing, but the idea of having a music career had to go away for a while.
Music is my passion so I feel like I'll be doing this for a long time and God forbid if anything happens I'll still write music. So, I could write music for other people. I see myself making music for a very long time.
The way I write music for other artists is the same way I write music for myself. I'll pick up the guitar, and I'll write music, and if I don't use it, I have, like, 500 other songs. If I don't use it, I give it away.
We're just nerds that play music. Because we get played on the radio and have a Vitaminwater ad with Aaron Paul dancing on a treadmill, people are going to say we sold out. I don't write music for that. I write music for me.
I write the music because I can't really write lyrics. But I can write chords like Robin's never heard of. So I provide the music for them to add the lyrics to.
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