A Quote by Charles Ives
The future of music may not lie entirely in music itself, but rather in the way it encourages and extends, rather than limits the aspirations and ideals of the people, in the way it makes itself a part with the finer things that humanity does and dreams of.
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I'm envious of the way that electronic dance music has organised itself. It has been able to understand what it ain't rather than what it is. And I think that slipped away from hip-hop as soon as the DJs lost the majority of the say so in the direction of the music.
Intellectual beauty is sufficient unto itself, and only for it rather than for the future good of humanity does the scholar condemn himself to arduous and painful labors.
It is not the part of divinity to go to humanity and to modify itself in any shape, manner or form; rather it is up to humanity to make itself available to divinity.
I think whatever you believe in affects whatever you express, whatever you create. It shapes your morality in some way. But I don't think that's something that you have to shove down people's throats. I'd rather keep it in the background, and I'd rather people came to the music in an unprejudiced way. I'm glad, in a sense, that most people don't know about me, what I do, much. I'd rather they hear the music, and then say, "I wonder what kind of person created this."
A human group transforms itself into a crowd when it suddenly responds to a suggestion rather than to reasoning, to an image rather than to an idea, to an affirmation rather than to proof, to the repetition of a phrase rather than to arguments, to prestige rather than to competence.
For most people, it is enough for the world to know that they aspire. The world does not ask what their aspirations are, trusting that those aspirations are for the best and greatest things. But with regard to the Negroes in America, there is a feeling that their aspirations in some way are not consistent with the great ideals.
Music is very abstract. When we talk about music, we're not discussing the music itself but rather how we react to it.
There are so many things to be considered in making music. The whole question of life itself... I know that I want to produce beautiful music, music that does things to people that they need.
I'd rather lose the small part of the audience that is going to be insulted because a documentary shouldn't have music than the big part of the audience that kind of gives itself over to the scene.
The music goes into people in a totally different way than words. There's air, there's the sound of words, there's touch, there's music. All of those things have a really distinct way of meeting and entering people's bodies and souls. It's the most beautiful part about humans; that we make music.
For me, jazz is an understanding of music, rather than an end in itself.
You want to make music that reflects your ideals, but considering the isolating process of recording and the time and energy requirements of touring, there aren't a lot of opportunities to express those ideals anywhere but the music itself.
People are getting ready for music that makes them feel happy again rather than being depressed at the way the world is going right now.
The superior person tries to promote music as a means to the perfection of human culture. When such music prevails, and people's minds are led towards the right ideals and aspirations, we may see the appearance of a great nation.
So rather than really have, like a close relationship to anything that's coming out today, people are just, they've got it on as background music. It's kind of the same way the cabdrivers use music; it's very disposable. But, that doesn't mean there aren't a great number of artists who are doing things to change that.
But I'd rather help than watch. I'd rather have a heart than a mind. I'd rather expose too much than too little. I'd rather say hello to strangers than be afraid of them. I would rather know all this about myself than have more money than I need. I'd rather have something to love than a way to impress you.
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