A Quote by Charles Jencks
I do believe architecture, and all art, should be content-driven. It should have something to say beyond the sensational.
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But I do believe architecture, and all art, should be content-driven. It should have something to say beyond the sensational.
Architecture is art. I don't think you should say that too much, but it is art. I mean, architecture is many, many things. Architecture is science, is technology, is geography, is typography, is anthropology, is sociology, is art, is history. You know all this comes together. Architecture is a kind of bouillabaisse, an incredible bouillabaisse. And, by the way, architecture is also a very polluted art in the sense that it's polluted by life, and by the complexity of things.
I don't think architecture should be considered as an art form in the first instance. Whenever I say that, it makes people really angry. But this is a very political profession in the Grecian sense. I believe there have to be reasons for every building, and that the ideas should not be self-referential.
For me, architecture is an art the same as painting is an art or sculpture is an art. Yet, architecture moves a step beyond painting and sculpture because it is more than using materials. Architecture responds to functional outputs and environmental factors. Yet, fundamentally, it is important for me to stress the art in architecture to bring harmony.
Art should walk a tightrope. That's what art should be. Art should be dangerous. You can't be scared to say something with it. People love to talk about how comics are real art and real literature, so why not use these characters to talk about real things, even if it is dangerous?
Sensation is an element of what I do, and why not? It's not sensational for the sake of being sensational, but it's sensational art... It's like touching skin.
When I am asked what I believe in, I say that I believe in architecture. Architecture is the mother of the arts. I like to believe that architecture connects the present with the past and the tangible with the intangible.
I was the first businessman to say, 'You should give tax benefit to only small companies. You should say your profits are exempt to a limit of Rs. 50 crore or so, but beyond that, you should pay taxes.' I have been arguing with successive finance ministers on this.
I believe that sensory pleasure should take precedence over intellectual pleasure in art and architecture.
I'd been to Stourhead and was inspired by the perfect parity between architecture and art; in fact, the architecture is the art. I wrote a piece called 'Not Sculpture Park,' because most of these things become car parks for bought-in sculpture. The artists should be working with the site, not just plonking pieces down.
I do not believe they are right who say that the defects of famous men should be ignored. I think it is better that we should know them. Then, though we are conscious of having faults as glaring as theirs, we can believe that that is no hindrance to our achieving also something of their virtues.
In architecture, to do anything beyond object form is often treated as something extra-disciplinary - something outside the discipline that has nothing to do with art. So I'm making it clear that this is an artistic choice. It's not everyone's artistic choice. Some people should choose only to make object form because that's what gives them pleasure. But there are people for whom aesthetic pleasure comes from doing something else, and why would you deny that choice? It's another autonomous choice.
You should make something. You should bring something into the world that wasn't in the world before. It doesn't matter what it is. It doesn't matter if it's a table or a film or gardening-everyone should create. You should do something, then sit back and say, 'I did that.'
if newspapers were written by people whose sole object in writing was to tell the truth about politics and the truth about art we should not believe in war, and we should believe in art.
Our task is not to find the maximum amount of content in a work of art, mush less to squeeze more content out of the work than is already there. Our task is to cut back on content so we can see the thing at all. The aim of all commentary on art now should be to make works of art - and, by analogy, our own experience - more, rather than less, real to us.
In the deaf community, there are different types of people who have different philosophies. Some believe that they should only sign. Some believe they should only speak. Some people say you should use cued speech. Some say you should use cochlear implants. Some say you shouldn't sign. Some people say you should sign.
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