A Quote by Charles Kelley

I wanted to make music that spoke to me, without having the expectation of success that comes with Lady Antebellum. — © Charles Kelley
I wanted to make music that spoke to me, without having the expectation of success that comes with Lady Antebellum.
I love Lady Antebellum and Miranda Lambert - they write from the heart. But it's hard to find a country music lover in L.A. None of my friends really listen to it, and they hate getting in the car with me because I just blast Taylor Swift.
If I am going to do something outside of Lady Antebellum, it's got to make a statement. Otherwise, why do it?
Scholars have endlessly written about antebellum Protestant thinking about slavery. Now, finally, Friends of the Unrighteous Mammon turns a spotlight on a new, crucial question: how did antebellum Protestants parse capitalism? For anyone who seeks to understand the political economy of the antebellum era-or, indeed, the complex entanglement of Christianity and capitalism today-this book is critical. I, for one, am very grateful to Stewart Davenport for having written it.
I went to my first CMA Music Fest when I was 14 and waited in line for two hours to meet two people: Taylor Swift and Hillary Scott from Lady Antebellum. It's very ironic but not accidental that those two people refer to me as their 'little sister' now.
Lady Antebellum will always be my focus.
Hillary Scott from Lady Antebellum is like my big sister.
With success comes expectation, and I know the expectation on me is going to be pretty high.
With 'Boxer,' we made the kind of music we wanted to make and didn't really worry about what the expectation was.
When I went to my first CMA Fest, I wanted to be an artist, but I was such a fan girl - I still am - and the two people I waited in line to meet were Taylor Swift and Lady Antebellum. Taylor, I haven't gotten to sit and talk with her as much as I hope I get to one day, but even with her just supporting me on her social media has been incredible.
One of Lady Antebellum's first big tours was opening up for Kenny Chesney.
I asked a thief to steal me a peach: He turned up his eyes. I asked a lithe lady to lie her down: Holy and meek, she cries. As soon as I went An angel came. He winked at the thief And smiled at the dame- And without one word spoke Had a peach from the tree, And 'twixt earnest and joke Enjoyed the lady.
With Lady Antebellum, there's always pressure. It's hard for commerce not to rear its ugly head when you're making decisions.
I wanted to find a way to speak for people. It was important for me, because so many people spoke for me when I was a kid and made me feel less invisible, and I wanted kids or whoever is listening to my music not to feel so voiceless.
I listen to everything from Lady Gaga to Lady Antebellum. I've got Frank Sinatra. I've got old stuff, new stuff. Iggy Azalea. I've got everything.
I had to beg to get out of my contract with Capitol. They wanted me to work with big producers. I wanted to produce my music, and they weren't having that. I'm sure they were happy to let me go. I just didn't want to do what they wanted me to do.
I'm friends with Dierks Bentley. Aside from that, I don't really know anybody else in the country music field, really. I've met the Lady Antebellum people and I met Marty Stuart briefly once. He's really nice, but I don't know any of them, really.
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