A Quote by Charles Kettering

We have a lot of people revolutionizing the world because they've never had to present a working model. — © Charles Kettering
We have a lot of people revolutionizing the world because they've never had to present a working model.
We'd had books in my house growing up, but we had never had anything like lectures. I had never written an essay for my mother. I had never taken an exam. Because I was working a lot as a kid, I just hadn't elected to read that much.
I never had a problem with social situations. A lot of times, when people are in school, they can have a little hesitancy because people are mean sometimes. I never had that problem because I never had that experience. So, I had a pretty easy transition.
I think a lot of the things I do are because I want to be the idol or the role model that I never had when I was a kid.
I never had a problem with social situations. A lot of times, when people are in school, they can have a little hesitancy because people are mean sometimes. I never had that problem because I never had that experience.
If you do a black character or a female character or an Asian character, then they aren't just that character. They represent that race or that sex, and they can't be interesting because everything they do has to represent an entire block of people. You know, Superman isn't all white people and neither is Lex Luthor. We knew we had to present a range of characters within each ethnic group, which means that we couldn't do just one book. We had to do a series of books and we had to present a view of the world that's wider than the world we've seen before.
You can involve yourself in electronics, computers, puzzles... there's a lot of creativity and brain working. There's a lot to model trains that people don't realize.
At that point it certainly would be called abstract. That is to say, you had a model and there'd be one or two or three people there drawing the model but otherwise you had abstractions all around the room, even though the model was in front of you.
I was working in Camden Lock market from the age of 13 to 16, and people often suggested that I should be a model. I knew a girl working on a stall who was with Take Two model agency, so I decided to go along, and they took me on.
I had PubLIZity, I had Oh, Hello, I had Bobby and Farley - all of these sketches that were really these duo sketches, but the relationship between them is really what catapulted them forward. A lot of that, I think, came from Wayne and Garth, these two similar guys - they're Midwestern metal guys - but in the end, they're quite different because there's an alpha and a beta. And I think that model became very present for me on Kroll Show.
Modeling was another job like some of the other ones I had. Working as a cashier, I delivered newspapers, I worked in a retirement home feeding elderly people. . . so I never stopped and thought about, boy, I'm a successful model.
Your perception of the world is ... really a fabrication of your model of the world. You don't really see light or sound. You perceive it because your model says this is how the world is, and those patterns invoke the model. It's hard to believe, but it really is true.
New media and mobile entertainment are revolutionizing the way people learn about the world.
I always had difficulty as a model just being myself. I can be very shy, and I used to have a lot of anxiety about working on set.
I know that, for me, working with people like Robert Rodriguez and Ridley Scott and the Coen brothers and Oliver Stone and Gus Van Sant was so much easier than working with a lot of the people I had worked with before, because with these guys, there's not a lot of ego involved. It's all about the work. It's all about how to make the story better. So at the end of the day, you feel a trust that you usually don't feel - or at least I haven't felt in the past with most people.
I was never a model-y model. I was doing it as a job, but people didn't even know I was a model.
My route is a little bit nontraditional. A lot of the people working in Nashville, they have a model. I don't really fit into that.
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