A Quote by Charles Krauthammer
I would write my editorials using a manual typewriter in pitch-black darkness... I would produce the whole thing without having seen the text.
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If you want to be a writer, all you need is a piece of paper and a pencil, and I had a manual typewriter. It doesn't cost money to write. It costs money to make art. So I would just write. I would hand out stories in the classes in high school. And the teacher would say, "Whatever you do, don't become a writer."
I write exclusively using computers. Pens and typewriters can fsck right off - I wrote my first half million words in my teens on a manual typewriter (had to trade it for a new one due to keys snapping from metal fatigue) so I am not a pen or typewriter fetishist.
I use an IBM Thinkpad. I just use it like a typewriter, but when I started using it in 1987, I thought I won't be able to write anymore, so I thought I'd go back to the typewriter. But you couldn't go back to the typewriter after using the computer.
I write most of my first drafts on an old manual typewriter, a really old one. It's a big black metal "Woodstock" from about 1920. I try to write everything down at once, in one sitting. The longer stories in this collection are divided up into sections. Each section represents a different sitting, a different idea for the same story.
You could walk around behind the typist and read the text, which was about hearing, and what you heard was the sound of the typewriter. Of course, this was a pre-electric typewriter, a typewriter that made noise.
I don't think you could have a 7 with a manual. But I can't see having a BMW sports sedan without a manual.
Still, this whole grim reaper thing should have come with a manual. Or a diagram of some kind. A flowchart would have been nice.
In the 1980s, in the communist Eastern Germany, if you owned a typewriter, you had to register it with the government. You had to register a sample sheet of text out of the typewriter. And this was done so the government could track where text was coming from.
Once you've said to yourself, "But I'm not using my physics in my house," or "I'm not using my ecology in my garden, I've never applied it to what I do," it's like something physical moves inside your brain. Suddenly you say, "If I did apply what I know to how I live, that would be miraculous!" Then the whole thing unrolls like one great carpet. Undo one knot, and the whole thing just rolls downhill.
I carried this problem around in my head basically the whole time. I would wake up with it first thing in the morning, I would be thinking about it all day, and I would be thinking about it when I went to sleep. Without distraction I would have the same thing going round and round in my mind.
Just understand, don`t choose - don`t choose even choicelessness. Simply understand the whole situation: that whatsoever you choose, whatsoever you do, will come out of the calculating mind. It cannot be the real thing. Your mind can only produce dreams, it cannot produce the truth. Truth cannot be produced, nobody can produce it. It is there; it has to be seen. Nothing has to be done, just a look is needed - a look without any prejudice, a look without any choice, a look without any distinctions.
My daughter could do and be anything, without having to fight to get through the glass ceiling. Without having it be so extraordinary. If my daughter went to produce a soundtrack for a movie, there would be nothing extraordinary about a girl doing it. When I did it, it was highly unusual.
I did some pretty crazy stuff that I never thought I would do, for the sake of a movie, like surfing in eight-foot waves in pitch-black darkness, where I can't see anything. That still haunts me, kind of, in my nightmares, but it was worth it, it was fun.
When I sit down at the typewriter, I write. Someone once asked me if I had a fixed routine before I start, like setting up exercises, sharpening pencils, or having a drink of orange juice. I said, "No, the only thing I do before I start writing is to make sure that I'm close enough to the typewriter to reach the keys."
A woman would pitch a joke. Nothing. Then a guy would pitch it and everybody would laugh.
The whole idea of gravity curling up space, that is the epitome of what is going on in a black hole. I would've loved to have seen Einstein's face if he were presented with the data that we actually discovered such a thing, because he himself probably didn't believe in much of it.
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