I'm trying to read/edit my story as if I have no existing knowledge of the story, no investment in it, no sense of what Herculean effort went into writing page 23, no pretensions as to why the dull patch on page 4 is important for the fireworks that will happen on page 714.
Every page of content you've created could be the first interaction with your web site.Think of every page as a home page.
Don't swim against the current. Stay in the river, become the river; and the river is already going to the sea. This is the great teaching.
In a 22-page comic, figuring an average of four to five panels a page and a couple of full-page shots, a writer has maybe a hundred panels at most to tell a story, so every panel he wastes conveying a.) something I already know, b.) something that's a cute gag but does nothing to reveal plot or character, or c.) something I don't need to know is a demonstration of lousy craft.
To me, music is a river. I have lived my life beside the river. Every day, I get up and look at the river. I watch it and notice when it rises and falls.
America was different. America was a river, roarng along, unmindful of the past. I could wade into this river, let my sins drown to the bottom, let the waters carry me someplace far. Someplace with no ghosts, no memories, and no sins.
The story [of Allied ] itself is the story I wrote, and that's what's great about Bob [Zemeckis ]. You have meetings, but it's meetings for clarity, not to change what they're saying or doing. He takes what's on the page and executes it so brilliantly.
Every Great Story deserves a Great Ending and
'The Dark Knight Rises' is our Attempt to give that GREAT story, a GREAT ENDING.
I also learned to tell a story. I think I learned from poetry how to time a story. Poetry's timing, beats and pauses. That white space on the page is as important as the black. The bottom of the page is blackout. It's performance.
Once we truly grasp the message of the 'New Testament', it is impossible to read the 'Old Testament' again without seeing Christ on every page, in every story, foreshadowed or anticipated in every event and narrative.
One thing I learned is that the park by the river in a recent story, 'Getting Closer,' is the same park by the river that appears for a moment near the end of 'The Eighth Voyage of Sinbad,' a story first published 23 years earlier. This echo at first irritated me, then pleased me deeply.
For a Nebraska kid in the late 1970s and early 1980s, Nebraska football was a quasi-religion, so I ran out to get The Omaha World-Herald every morning, salivating for the sports page. My dad, however, required that I read one front page story and one editorial before I was allowed to turn to the sports.
Ignore all advice about writing. Leave your blood on every page. Every page!
If I knew a story page by page before I started writing it, I just wouldn't do it. The process of discovery is really important for my own enjoyment.
All their life in this world and all their adventures had only been the cover and the title page: now at last they were beginning Chapter One of the Great Story which no one on earth has read: which goes on for ever: in which every chapter is better than the one before.
There is a problem in America. An Irish or Polish American can write a story and it's an American story. When a Black American writes a story, it's called a Black story. I take exception to that. Every artist has articulated to his own experience. The problem is that some people do not see Blacks as Americans.