A Quote by Charles Kuralt

I can't remember a time when I didn't want to be a reporter. I don't know where I got the idea that it was a romantic calling. — © Charles Kuralt
I can't remember a time when I didn't want to be a reporter. I don't know where I got the idea that it was a romantic calling.
It is important to remember that great things have no fear of time. We've got to let go of the idea that what we want to manifest has to be done on our time schedule.
I don't really know where I got my artists idea. The scraps of what I remember do not explain to me where it came from. I only know that by this time it was definitely settled in my mind.
President Bush got a little upset with a reporter for calling him 'sir' instead of 'Mr. President.' Man, how upset is he going to be after the election when they start calling him George again?
As we have all said, we understand that electronic surveillance is a vital tool in the war on terror. We all want to know when Osama bin Laden is calling: when he is calling, who he is calling, and what he is saying.
If I ever want to get back into coaching I should be calling teams they shouldn't be calling me. That's when you know you really want to do it.
We are told from childhood onward that everything we want to do is impossible. We grow up with this idea, and as the years accumulate, so too do the layers of prejudice, fear and guilt. There comes a time when our personal calling is so deeply buried in our soul as to be invisible. But know that it's still there.
I have this romanticized idea of dance music in the '90s because, obviously, I was way too young to be a part of it. So I have this rose-tinted idea of it. I have this idea of it being a very special time. But I still don't know that much - I can never remember any names of seminal artists.
Simi? You got some free time? (Kat) Of course I do. You know akri on Olympus with that heifer-goddess I want to eat, but he won’t let the Simi have no dinner. So why you calling me, little akra-kitty? (Simi)
Somehow, the French got this idea of the starving artist. Very romantic, except it's not so romantic for the starving artist.
The main jobs would be The New Yorker, The Village Voice, The Washington Post and - I'm thinking of The Reporter when Max Askeli was there, but I got fired from The Reporter.
I think, though, that people will read into a reporter's story a bias that they want to see in a reporter.
Will you remember that? Anywhere you are, if you can look up and find Perseus in the sky, find that smile, and hear the galactic wind whisper your name, you'll know that it's me, calling for you... calling you back to Lazarevo. (Alexander)
You would be surprised how many directors don't know what they want. They might not know what they want until they see it, they might know what they want but no idea how to get it out of the actor, then you've both got a problem.
in time of daffodils(who know the goal of living is to grow) forgetting why,remember how in time of lilacs who proclaim the aim of waking is to dream, remember so(forgetting seem) in time of roses(who amaze our now and here with paradise) forgetting if,remember yes in time of all sweet things beyond whatever mind may comprehend, remember seek(forgetting find) and in a mystery to be (when time from time shall set us free) forgetting me,remember me
I remember when Muhammad Ali got beaten the first time. I remember when Lennox Lewis got beaten the first time, Sugar Ray Leonard, Mike Tyson. All of those were legendary fighters, and they came back, and that's what made them different - what they did after they got beat.
Fathers, yours is an eternal calling from which you are never released. Callings in the Church, as important as they are, by their very nature are only for a period of time, and then an appropriate release takes place. But a father's calling is eternal, and its importance transcends time. It is a calling for both time and eternity.
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