A Quote by Charles Lamb

If thou would'st have me sing and play As once I play'd and sung, First take this time-worn lute away, And bring one freshly strung. — © Charles Lamb
If thou would'st have me sing and play As once I play'd and sung, First take this time-worn lute away, And bring one freshly strung.
I get to play behind Al MacInnis and learn from him. I get to play with Brett Hull. There were like six or seven Hall of Famers that I would play with during my time in St. Louis. I mean, Wayne Gretzky was traded there my first year.
I didn't think I would have an Olympic medal at 21, but I knew I would give my best and play my game. I just viewed it as my first Olympics and that I would take it one match at a time, but to bring a silver home made me very, very happy.
Fear not, Cesario, take thy fortunes up. Be that thou know'st thou art and then thou art as great as that thou fear'st.
Thou O Spirit, that dost prefer Before all Temples th' upright heart and pure, Instruct me, for Thou know'st; Thou from the first Wast present, and with mighty wings outspread Dove-like satst brooding on the vast Abyss And mad'st it pregnant: What is in me dark Illumine, what is low raise and support; That to the heighth of this great Argument I may assert Eternal Providence, And justify the ways of God to men.
My own style on the guitar grew out of my experience with the lute. I suppose some people might say I play each like the other. And of course I know a lot of guitar fans who wish I would stop playing the lute and vice versa.
I love to sing, but I'm just terrible. I play guitar, and I play enough where I can play most country stuff, and I'll sing when it's just me.
When thou cam'st first, Thou strok'st me and made much of me; wouldst give me Water with berries in't; and teach me how To name the bigger light, and how the less, That burn by day and night; and then I loved thee And showed thee all the qualities o' th' isle, The fresh springs, brine-pits, barren place and fertile.
Thou source of all my bliss and all my woe, That found'st me poor at first, and keep'st me so.
My music teacher was like, "Ester, you need to pay attention in class." I'm like, "No miss lady, 'cause I can sing." I didn't want anybody to change the way I sung. I learned by gospel CDs and by watching my momma sing; I didn't need this teacher to tell me. I wish I had, because then I would have learned how to play the damn piano or something. I would have a couple of more things under my belt if I wasn't so hard-headed.
For me, self-care is a lesson I'm still learning. But it begins with space away from the heaviness of life. I now take time to play, laugh, and, every once in awhile, sleep.
If thou would'st have that stream of hard-earn'd knowledge, of Wisdom heaven-born, remain sweet running waters, thou should'st not leave it to become a stagnant pond.
The next time I write a play - in order to get audience trust for a particular sort of tragic line, I'll try to bring the audience a good distance before that. Part of that is allowing comic moments to occur. I had been afraid of that - that once the audience started laughing in the play, they would never stop.
Art thou in misery, brother? Then I pray Be comforted. Thy grief shall pass away. Art thou elated? Ah, be not too gay; Temper thy joy: this, too, shall pass away. Art thou in danger? Still let reason sway, And cling to hope: this, too, shall pass away. Tempted art thou? In all thine anguish lay One truth to heart: this, too, shall pass away. Do rays of loftier glory round thee play? Kinglike art thou? This, too, shall pass away! Whate'er thou art, wher'er thy footsteps stray, Heed these wise words: This, too, shall pass away.
St. Andrews is my favorite place to play golf. I've said it many times. I love the design. I love how there is always a bunker in play. And every time you play, it is always a little bit different. There are so many angles out there. It is beautifully designed. And so much fun to play.
The desire to play has always been in me. I remember my first experience at about four or five of really dying to sing and dying to play that came from no one telling me to do so.
I remember when I first came out as an artist, back in 2004 or 2005, the record label used to take me to all the radio stations and just have me sit in, like, their lunchroom or their conference room, and play for the whole staff. Just to introduce them to me so they would play my records.
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