A Quote by Charles Lamb
We do not go to the theatre like our ancestors, to escape from the pressure of reality, so much as to confirm our experience of it.
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Our ancestors are looking for us even if we're not looking for them. And by our ancestors I mean our bloodlines and the ancestors of the place where we live and our spiritual kin who go beyond our biological families. We could be walking around carrying an entire ancestral history of the wrong kind for us.
We're so stuck in our heads with social media that we don't get to meet people and go out to have a joint experience unless we go to a live event, like the theatre.
Our perception of celebrities in Hollywood is not the reality. The reality of our lives is so much like everyone else's life. We have family members we love, everyone gets up in the morning, they have three meals a day and they go about their business.
We are not primitive. We live differently to you, but we do not live exactly like our grandparents did, nor do you. Were your ancestors 'primitive'? I don't think so. We respect our ancestors. We love our children. This is the same for all people.
?Our ancestors took this land. They took it and made it and held it. We do not give up what our ancestors gave us. They came across the sea and they fought here, and they built here and they're buried here. This is our land, mixed with our blood, strengthened with our bone. Ours!
When our hearts turn to our ancestors, something changes inside us. We feel part of something greater than ourselves. Our inborn yearnings for family connections are fulfilled when we are linked to our ancestors.
I don’t believe one reads to escape reality. A person reads to confirm a reality he knows is there, but which he has not experienced.
There is no escape - we pay for the violence of our ancestors.
If we'd lived in England or America we'd have told stories abut our lives and nobody would have called it protest theatre. But the reality of South Africa was the arrests and detentions and oppression - we could not escape that, so we decided to take it on.
We are creatures. We have a link with a native habitat just like every other species. Throughout most of human history, physical activity was unavoidable, calories were scarce and hard to get. In the modern era, calories are unavoidable, physical activity is scare and hard to get. The traits that allowed our ancestors to survive, and let's face it, the survival of our ancestors is the reason that we're here because the people who don't survive and make very crummy ancestors, are our traits. But they're very much at odds with the modern environment.
I think the body image thing, everybody can identify with that. In our culture there's just so much pressure and so much attention placed on the way we look. You just turn on the TV or flip open a magazine and there's people who don't look like any of us. I think this movie is like, finally, a celebration of reality and of our imperfections. We're not all a size 2 and we're not all a size 0, and you know what? That's OK, because some of us like to eat!
It does not follow, because our ancestors made so many errors of fact and mixed them with their religion, that we should therefore leave off being religious at all. By being religious we establish ourselves in possession of ultimate reality at the only points at which reality is given us to guard. Our responsible concern is with our private destiny, after all.
There is an ancient Indian saying: "We do not inherit the earth from our ancestors; we borrow it from our children." If we use this ethic as a moral compass, then our rendezvous with reality can also become a rendezvous with opportunity.
It's pretty much a fact that our entire universe is a mental construct. We don't actually deal with reality directly. We simply compose a picture of reality from what's going on in our retinas, in the timpani of our ears, and in our nerve endings.
That reality is 'independent' means that there is something in every experience that escapes our arbitrary control. If it be a sensible experience it coerces our attention; if a sequence, we cannot invert it; if we compare two terms we can come to only one result. There is a push, an urgency, within our very experience, against which we are on the whole powerless, and which drives us in a direction that is the destiny of our belief.
Today the major reason for our interest in Flatland is that for the first time we can achieve some of the dreams of our ancestors a century ago and obtain direct visual experience of phenomena in a dimension higher than our own.
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