A Quote by Charles Lamb

The going away of friends does not make the remainder more precious. It takes so much from them as there was a common link. A. B. and C. make a party. A. dies. B. not only loses A. but all A.'s part in C. C. loses A.'s part in B., and so the alphabet sickens by subtraction of interchangeables.
He who loses wealth loses much; he who loses a friend loses more; but he that loses his courage loses all.
If a man loses one-third of his skin he dies; if a tree loses one-third of its bark, it too dies. If the Earth is a 'sentient being', would it not be reasonable to expect that if it loses one-third of its trees and vegetable covering, it will also die?
To handle yourself, use your head; to handle others, use your heart. Anger is only one letter short of danger. If someone betrays you once, it is his fault; if he betrays you twice, it is your fault. Great minds discuss ideas; average minds discuss events; small minds discuss people. He who loses money, loses much; he who loses a friend, loses much more; he who loses faith, loses all.
The fighter loses more than his pride in the fight; he loses part of his future. He's a step closer to the slum he came from.
Every two weeks, a language dies. The world is diminished when it loses its human sayings, just as when it loses its diversity of plants and beasts.
Love is an immortal wound that cannot be closed up. A person loses something, a part of her soul, when she loves someone. And she goes about looking for that lost part of her soul, for she knows that otherwise she is incomplete and cannot be at rest. It is only when she is with the person she loves that she becomes complete again in herself; but the moment he leaves, she loses that part which he has taken with him and knows no rest till she has found him once more.
When a free man dies, he loses the pleasure of life. A slave loses his pain. Death is the only freedom a slave knows. That's why he's not afraid of it. That's why we'll win.
If the Christian doesn't get reality right, he loses effectiveness in this life. If the non-Christian doesn't get reality right, he loses much in this life, and everything and the next one. As Jesus put it, "What does it profit a man if he gains the whole world and loses his soul?"
I'm different to someone like Jamie Vardy, who is a lot quicker than me but if he loses a yard he loses a large part of his game - whereas I never had the yard in the first place.
I don't trust tragedies much. It's easy to make a person sad by showing him something tragic. We all recognize when sad things happen: someone dies, someone loses a loved one, young love is crushed. It's much harder to make a man laugh-what's funny to one person isn't funny to another.
Unjust war is to be abhorred; but woe to the nation that does not make ready to hold its own in time of need against all who would harm it! And woe thrice over to the nation in which the average man loses the fighting edge, loses the power to serve as a soldier if the day of need should arise!
When horror turns into gore, when you show the monster, the killings, and the blood, it loses its suggestive powers. It loses part of what makes a horror film a horror film, which is that the images you see develop in your brain and you become the one imagining what you are not seeing on screen.
If we win, someone else loses. But if someone else loses, we lose. Which is a point we're not getting. The new spirituality will make this just painfully obvious.
A wife who loses a husband is called a widow. A husband who loses a wife is called a widower. A child who loses his parents is called an orphan. There is no word for a parent who loses a child. That's how awful the loss is.
[Man] is the only animal who lives outside of himself, whose drive is in external things—property, houses, money, concepts of power. He lives in his cities and his factories, in his business and job and art. But having projected himself into these external complexities, he is them. His house, his automobile are a part of him and a large part of him. This is beautifully demonstrated by a thing doctors know—that when a man loses his possessions a very common result is sexual impotence.
For an acrobat, the acting concepts of 'risk', 'a life or death situation' and 'trusting your partner' are visceral. If an actor loses focus, the scene dies; if an acrobat loses focus, their partner might die.
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