A Quote by Charles Lamb

Satire does not look pretty upon a tombstone. — © Charles Lamb
Satire does not look pretty upon a tombstone.
When my mother passed away, we knew what she wanted on her tombstone, so I asked my father, so there wouldn't be any argument among us children, 'Daddy, what do you want on your tombstone?' He thought about that. He said, 'preacher.' So that's what's going to be on his tombstone. Preacher.
I don't want a tombstone. You could carve on it 'She never actually wanted a tombstone.'
I have my tombstone already. A tombstone company in the East gave it to me when I jumped Snake Canyon. My plot is in Montana.
We have entered a period of intolerance which combines, as it sometimes does in America, with a sugary taste for euphemism. This conjunction fosters events that go beyond the wildest dream of satire- if satire existed in America anymore; perhaps the reason for its weakness is that reality has superseded it.
Satire is at once the most agreeable and most dangerous of mental qualities. It always pleases when it is refined, but we always fear those who use it too much; yet satire should be allowed when unmixed with spite, and when the person satirized can join in the satire.
Poker is really about reading people. What happens when you bluff? What does it look like when the other guy bluffs? Does he look right, does he look left? Under what circumstances does he fold or call?
If you look at old pictures, Irene Casey is so pretty. Not just young, but pretty the way you look when your face goes smooth, the skin around your eyes and lips relaxed, the pretty you only look when you love the person taking the picture.
But the divinest poem, or the life of a great man, is the severest satire.... The greater the genius, the keener the edge of the satire.
There is a place in this world for satire, but there is a time when satire ends and intolerance and bigotry toward religious beliefs... begins.
There is a place in this world for satire, but there is a time when satire ends and intolerance and bigotry towards religious beliefs of others begins.
Your next SMS will probably be around longer, and remain more legible, than your tombstone. For, unlike your tombstone or even your mortal coil, your texts may be worth something.
Through my satire I make little people so big that afterwards they are worthy objects of my satire and no one can reproach me any longer.
Batista does look pretty mad.
The critics try to intellectualize my material. There's no satire involved. Satire is a concept that can only be understood by adults. My stuff is straight, for people of all ages.
There are two kinds of humor. One kind that makes us chuckle about our foibles and our shared humanity -- like what Garrison Keillor does. The other kind holds people up to public contempt and ridicule -- that's what I do. Satire is traditionally the weapon of the powerless against the powerful. I only aim at the powerful. When satire is aimed at the powerless, it is not only cruel -- it's vulgar.
Comedy is very interesting because you can very quickly cross into dangerous territory. I mean look at what happened, unfortunately, (in) Paris a couple of weeks ago. They were making comics - which were really satire - but it offended people. I'm not saying the reaction was justified but there's definitely a line when you're doing comedy or satire and how it might affect somebody. That's the thing you have to watch and I think you have to be respectful of it.
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