A Quote by Charles Lamb
Nothing to me is more distasteful than that entire complacency and satisfaction which beam in the countenances of a new married couple; in that of the lady particularly; it tells you that her lot is disposed of in this world; that you can have no hopes for her.
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For me, faith is more about aspiration than complacency - the smug satisfaction that other people find distasteful.
The wide world was changing, and she wanted a different place in it. Not just wanted, but felt she deserved. If the world didn't owe her a living, as her mother repeatedly warned her, it owed her a break. She had a strong sense that a better, more exciting, more rewarding life than that which had been the lot of her parents and grandparents was hers by right. In this she was guilty of nothing more serious than the arrogance of youth, from which every generation suffers and by which it distinguishes itself from the preceding one.
What Mindy has in common with a lot of women in their mid-30s is that she's obsessed with marriage. It's the entire premise of the 'The Mindy Project'. The pilot is her wanting to get married and her ruining her ex-boyfriend's wedding. For someone who fetishizes marriage so much, we're like, "OK, let's give it to her and let's see if it's as good as she thinks it's going to be." That's been the fun of the beginning part of this season is showing her what the challenges are of being married.
We still live in a world in which a significant fraction of people, including women, believe that a woman belongs and wants to belong exclusively in the home; that a woman should not aspire to achieve more than her male counterparts and, particularly, not more than her husband.
Among the Diaries beginning with the second quarter of our century, there is frequent mention of a lady then becoming famous for her beauty and her wit: "an unusual combination," in the deliberate syllables of one of the writers, who is, however, not disposed to personal irony when speaking of her.
I'd lay down my life for her - Mas'r Davy - Oh! most content and cheerful! She's more to me - gent'lmen - than - she's all to me that ever I can want, and more than ever I - than ever I could say. I - I love her true. There ain't a gent'lman in all the land - nor yet sailing upon all the sea - that can love his lady more than I love her.
If a lady comes up to you and tells you that your dear mama is lying in a faint on the pavement round the corner, don't you believe her, don't have anything to do with her, do not go with her into the cab. It is the White Slave Traffic.
What irks me most about Shilpa is that she can get extremely hyper. I ask her to calm down. She's become a lot more placid than before. Any major news and her whole world crumbles in front of her. I'm the calming factor in her life.
Director Park always talked to me about her in a very innocent way, that the story was of her coming of age and her sexual awakening and her going from girl to woman and that she had the same desires and hopes as other young people in terms of being very infatuated, which comes in the form of her uncle, which is very unconventional.
Morally a woman has a right to the free and entire development of every faculty which God has given her to be improved and used to His honor. Socially she has a right to the protection of equal laws; the right to labor with her hands the thing that is good; to select the kind of labor which is in harmony with her condition and her powers; to exist, if need be, by her labor, or to profit others by it if she choose. These are her rights, not more nor less than the rights of the man.
I say seduce her, seduce her tonight. Break the door down if you have to. Tell her all those things you said to me about her. You will love her more tomorrow than today and how you want to die with her hand in yours–which is an excellent line, by the way, that I fully intend to borrow when the time comes.
Carol Burnett probably had the biggest influence on me as kid. Although I was very young and watched her a lot in reruns, I was mesmerized by the way she transformed, by her physical comedy and the rolling laughter from the live studio audience. I loved her most as Scarlett O'Hara and her well known Cleaning Lady character.
Christianity only hopes. It has hung its harp on the willows, and cannot sing a song in a strange land. It has dreamed a sad dream, and does not yet welcome the morning with joy. The mother tells her falsehoods to her child, but, thank heaven, the child does not grow up in its parent's shadow. Our mother's faith has not grown with her experience. Her experience has been too much for her. The lesson of life was too hard for her to learn.
Her future, she thought, was likely to be worse than her past, for after her years of contented renunciation, she had slipped back into desire and longing; she found joyless days of distasteful occupation harder and harder; she found the image of the intense and varied life she yearned for, and despaired of, becoming more and more importunate.
It has been remarked (by a lady infinitely cleverer than the present author) how kindly disposed the world in general feels to young people who either die or marry. Imagine then the interest that surrounded Miss Wintertowne! No young lady ever had such advantages before: for she died upon the Tuesday, was raised to life in the early hours of Wednesday morning, and was married upon the Thursday; which some people thought too much excitement for one week.
Eloise is obsessed with Lady Whistledown, and she is a worthy opponent to try and find her. But, I reckon, more than half of the obsession is the fact that for her, Lady Whistledown is an expression of the potential for freedom that Eloise talks about so avidly.
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