A Quote by Charles Lamb

Oh for a tongue to curse the slave Whose treason, like a deadly blight, Comes o'er the councils of the brave, And blasts them in their hour of might! — © Charles Lamb
Oh for a tongue to curse the slave Whose treason, like a deadly blight, Comes o'er the councils of the brave, And blasts them in their hour of might!
Oh, say can you see by the dawn's early light What so proudly we hailed as the twilight's last gleaming? Whose broad stripes and bright stars thru the perilous fight O'er the ramplarts we watched were so gallantly streaming? And the rocket's red glare, the bombs bursting in air, Gave proof through the night that our flag was still there. Oh, say does that star-spangled banner yet wave O'er the land of the free and the home of the brave?
There's a curse on me as there's a curse on the Larkin name. The curse comes back, again and again, to taunt me! Ronan! Kilty! Tomas! And now me! What are the Irish among men? Are we lepers? Are we a blight? Will there ever be an end to our tears?
Men! whose boast it is that ye Come of fathers brave and free, If there breathe on earth a slave, Are ye truly free and brave?
O'er Egypt's land of memory floods are level, And they are thine, O Nile! and well thou knowest The soul-sustaining airs and blasts of evil, And fruits, and poisons spring where'er thou flowest.
If you begin to have a relationship where you're doing what the guards want, and once you're out you will see that as a treason, a treason to your country, a treason to yourself, a treason to everybody, so you have to be very cautious on what is the perspective you're looking at yourself, and you have always to see yourself like from the outside.
I love drawing on lead. Romans used to curse each other with sheets of it. My slave would come slide the sheet under your door with a curse on it. They had amazing writing and drawings on them, and they survive to this day since lead is so stable.
That skull had a tongue in it, and could sing once: how the knave jowls it to the ground, as if it were Cain's jaw-bone, that did the first murder! It might be the pate of a politician, which this ass now o'er-reaches; one that would circumvent God, might it not?
(Human) beings, in Pagan times would kind of like, listen to the stories and, they could kind of, identify - . They were, like, bigger than them and more successful than them or more beautiful, but they had these human fallibilities. Which is like celebrities now. It's like, 'oh, she's in rehab. Oh, she's unfaithful. Oh, they're divorced. Oh, she's anorexic. Oh, he's had a nose job.' You know, whatever it might be.
The duty I owe to the slave, to truth, and to God, demands that I should use my pen and tongue so long as life and health are vouchsafed to me to employ them, or until the last chain shall fall from the limbs of the last slave in America and the world.
The sanctified body is one whose hands are clean. The stain of dishonesty is not on them, the withering blight of ill-gotten gain has not blistered them, the mark of violence is not found upon them. They have been separated from every occupation that could displease God or injure a fellow-man.
I do shodo magic,” Dali said. “I curse through calligraphy. I have to write the curse out on a piece of paper and I can’t move while I do it. One smudge, and I might kill the lot of us.” Oh good. “But don’t worry.” Dali waved her arms. “It’s so precise, it usually doesn’t work at all.” Better and better.
But there are wanderers o'er Eternity Whose bark drives on and on, and anchor'd ne'er shall be.
Witness, eternal God! Oh, witness that, from this hour, I will do what one man can to drive out this curse of slavery from my land!
Are you grown an atheist? Will you turn your body, Which is the goodly palace of the soul, To the soul's slaughter-house? Oh, the curse' d devil, Which doth present us with all other sins Thrice-candied o'er.
There are free men with the spirit of a slave, and slaves whose spirit is full of freedom. He who is true to his inner self is a free man, while he whose entire life is merely a stage for what is good and beautiful in the eyes of others, is a slave.
Oh that it were with me As with the flower; Blooming on its own tree For butterfly and bee Its summer morns: That I might bloom mine hour A rose in spite of thorns. Oh that my work were done As birds' that soar Rejoicing in the sun: That when my time is run And daylight too, I so might rest once more Cool with refreshing dew.
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