A Quote by Charles Leclerc

I've always been very hard on myself, it's the way that works with me. — © Charles Leclerc
I've always been very hard on myself, it's the way that works with me.

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The way America works, and the way L.A. works, is a very small percentage of people get what they want out of life, and a much greater percentage try very very hard and they don't. That's just the way it is.
I've been a brat all of my life, and I've always wanted to do things my way, because that's what works best with me. I'm true to myself.
I turned 54 this year and I find myself feeling like I'm in a bit of a race to get down on paper the way I really feel about life - or the way it has presented to me. And because it has presented to me very beautifully, this is hard. It is technically very hard to show positive manifestations.
I think I'm very hard on myself. I think I've always been very hard on myself since I was a kid.
I've always kinda been a little outcast myself, a little oddball, doin' my thing, my own way. And it's been hard for me to, to be accepted, certainly in the early years of my life.
I think 'Idol' has been such a wonderful platform for me to step onto, and be a part of, and they've always treated me very kindly, and have been very supportive of my music and myself. I will always keep that as a highlight in my career for the rest of my life.
I have always struggled with expressing emotion, I used to think I was a very hard person but music has shown me I'm a big softy! Writing songs to me really is like writing a diary, it's very private and very personal. My most emotional songs have been written alone in a locked room, I'm able to express myself there.
I always hope my stuff does well and I see myself as someone who works very hard and I can see my own value.
Madness is not what it seems. Time stops. All my life I've been obsessed with time, its motion and velocity, the way it works you over, the way it rushes you onward, a pebble turning in a brook. I've always been obsessed with where I'd go, and what I'd do, and how I would live. I've always harbored a desperate hope that I would make something of myself. Not then. Time stopped seeming so much like the thing that would transform me into something worthwhile and began to be inseparable from death. I spent my time merely waiting.
I'm very critical of myself and I know the levels I want to achieve so I'm very hard on myself. So the staff and players are very hard on me as well, which is what I want as I want to get to as high a level as possible.
If you ask any of the other actors, they'd probably say nice things because they're nice people, but I was always like, "Oh gosh, I hope I'm doing this right." I was very hard on myself, and I continue to be. That's why it's sometimes hard for me to digest watching myself on television. There is some pressure.
Hollywood's fickle. It's always been that way, and it will always be that way. And it's always going to be somebody new and exciting comes along. That's just the way it works, and it will always work that way. And I think that if you give it everything to the exclusion of your own real life and family, you've sold yourself down the river.
I would say my biggest mentor has been my father because he always has been. Actually both of my parents have always been ones to encourage me to be myself and stay true to myself and not fall into what other people want me to do.
For me, my past characters been hard, the way they died, being murdered, the sadness that goes around, the death. It's a very hard thing to do.
I adored 'Breaking The Waves,' so when Lars von Trier wanted me in 'Dogville,' I was beside myself with joy. He works in a way that nobody I've ever worked with works.
The most deeply personal of my works are the non-fiction works, the autobiographical works, because there, I'm talking about myself very directly.
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