A Quote by Charles Lindbergh
As civilization advances, man grows unconscious of the primitive elements of life; he is separated from them by his perfection of material techniques.
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The material which a scientist actually has at his disposal, his laws, his experimental results, his mathematical techniques, his epistemological prejudices, his attitude towards the absurd consequences of the theories which he accepts, is indeterminate in many ways, ambiguous, and never fully separated from the historical background . This material is always contaminated by principles which he does not know and which, if known, would be extremely hard to test.
God wanted man to know him somehow through his creatures, and since no creature could fittingly reflect the infinite perfection of the Creator, he multiplied his creatures and gave a certain goodness and perfection to each of them so that from them we could judge the goodness and perfection of the Creator, who embraces infinite perfection in the perfection of his one and utterly simple essence.
Man must be able to escape civilization if he is to survive. Some of his greatest needs are for refuges and retreats where he can recapture for a day or a week the primitive conditions of life.
More and more, as civilization develops, we find the primitive to be essential to us. We root into the primitive as a tree roots into the earth. If we cut off the roots, we lose the sap without which we can't progress or even survive. I don't believe our civilization can continue very long out of contact with the primitive.
Art is life seen through man's inner craving for perfection and beauty--
his escape from the sordid realities of life into a world of his imagining. Art accounts for at least a third of our civilization,
and it is one of the artist's principal duties to do more than merely record life or nature.
To the artist is given the privilege of pointing the way and inspiring towards a better life.
Indeed, we need not look back half a century to times which many now living remember well, and see the wonderful advances in the sciences and arts which have been made within that period. Some of these have rendered the elements themselves subservient to the purposes of man, have harnessed them to the yoke of his labors and effected the great blessings of moderating his own, of accomplishing what was beyond his feeble force, and extending the comforts of life to a much enlarged circle, to those who had before known its necessaries only.
What is the purpose for which Masonry exists? Its ultimate purpose is the perfection of humanity. Mankind it self is still in a period of youth. We are only now beginning to acquire a consciousness of the social aim of civilization, which is man's perfection. Such perfection can never end with physical perfection, which is only the means to the end or spiritual perfection.
All the lies and evasions by which man has nourished himself civilization, in a word is the fruits of the creative artist. It is the creative nature of man which has refused to let him lapse back into that unconscious unity with life which characterizes the animal world from which he made his escape.
I suppose an artist takes the elements of his life and rearranges them and then has them perceived by others as though they were the elements of their lives.
The skylines lit up at dead of night, the air-conditioning systems cooling empty hotels in the desert and artificial light in the middle of the day all have something both demented and admirable about them. The mindless luxury of a rich civilization, and yet of a civilization perhaps as scared to see the lights go out as was the hunter in his primitive night.
Life consists with Wildness. The most alive is the wildest. Not yet subdued to man, its presence refreshes him. One who pressed forward incessantly and never rested from his labors, who grew fast and made infinite demands on life, would always find himself in a new country or wilderness, and surrounded by the raw material of life. He would be climbing over the prostrate stems of primitive forest trees.
The images of the unconscious place a great responsibility upon a man. Failure to understand them, or a shirking of ethical responsibility, deprives him of his wholeness and imposes a painful fragmentariness on his life.
As a man grows older, his ability to sit still and follow indoor occupations increases. He grows vespertinal in his habits as theevening of life approaches, till at last he comes forth only just before sundown, and gets all the walk that he requires in half an hour.
The reason for the slow progress of the world seems to lie in a single fact. Every man is born under the yoke, and grows up beneath the oppressions of his age. He can only get a vision of the unselfish forces in the world by appealing to them, and every appeal is a call to arms. If he fights he must fight, not one man, but a conspiracy. He is always at war with a civilization. On his side is proverbial philosophy, a galaxy of invisible saints and sages, and the half-developed consciousness and professions of everybody. Against him is the world, and every selfish passion in his own heart.
As the skull of the man grows broader, so do his creeds. And his gods they are shaped in his image and mirror his needs. And he clothes them with thunders and beauty, He clothes them with music and fire, Seeing not, as he bows by their altars, That he worships his own desire.
All of man's ills are due to his lack of knowing God within him. The perfection of God's universe is founded upon its perfection of Balance. All of man's ills are caused by toxic poisons generated in his body through unbalance affecting his power of control over the functions of his electric body. Man, as an extension of God, is creator of his own electric body. He is master of his electric body to the extent of his knowing the Light of God in him. ... God says to man: »What I do, ye shall do«, but man is unbelieving for long ages.
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