A Quote by Charles Lindbergh
About forty miles away from Paris, I began to see the old trench flares they were sending up at Le Bourget. I knew then I had made it, and as I approached the field with all its lights, it was a simple matter to circle once and then pick a spot sufficiently far away from the crowd to land O.K.
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Sometimes it seems as though not a moment has moved, but then you look up and you're already old or you already have a household of kids or you look down and see your feet are miles and miles away from the rest of you—and you realize you've grown up.
I began ear training when I was about six months old. My mother was a concert pianist, and she started all of her children with music before they were a year old. Then she began to see that I had a musical gift...
Our Founding Fathers never meant for Washington, D.C. to be the fount of all wisdom. As a matter of fact they were very much afraid if that because they'd just had this experience with this far-away government that had centralized thought process and planning and what have you, and then it was actually the reason that we fought the revolution in the 16th century was to get away from that kind of onerous crown if you will.
Seek out some retired and old-world spot, far from the madding crowd, and dream away a sunny week among its drowsy lanes - some half-forgotten nook, hidden away by the fairies, out of reach of the noisy world - some quaint-perched eyrie on the cliffs of Time, from whence the surging waves of the nineteenth century would sound far-off and faint.
How far we all come. How far we all come away from ourselves. So far, so much between, you can never go home again. You can go home, it's good to go home, but you never really get all the way home again in your life.
...
whatever it was and however good it was, it wasn't what you once had been, and had lost, and could never have again, and once in a while, once in a long time, you remembered, and knew how far you were away, and it hit you hard enough, that little while it lasted, to break your heart.
I have been battering away at Saturn, returning to the charge every now and then. I have effected several breaches in the solid ring, and now I am splash into the fluid one, amid a clash of symbols truly astounding. When I reappear it will be in the dusky ring, which is something like the state of the air supposing the siege of Sebastopol conducted from a forest of guns 100 miles one way, and 30,000 miles the other, and the shot never to stop, but go spinning away round a circle, radius 170,000 miles.
My grandmother worked at one of those Bel-Air mansions, and we would go - not too often, but every now and then - to pick her up. Hollywood was probably 12 miles from my house, but it might as well have been a million miles away. The only time I saw that world was on TV. Until I started making records.
I was taken to a boarding school when I was four years old and taken away from my mother and my father, my grandparents, who I stayed with most of the time, and just abruptly taken away and then put into the boarding school, 300 miles away from our home.
I remember once walking out hand in hand with a boy I knew, and it was summer, and suddenly before us was a field of gold. Gold as far as you could see. We knew we'd be rich forever. We filled our pockets and our hair. We were rolled in gold. We ran through the field laughing and our legs and feet were coated in yellow dust, so that we were like golden statues or golden gods. He kissed my feet, the boy I was with, and when he smiled, he had a gold tooth. It was only a field of buttercups, but we were young.
If a man can permanently establish his awareness in contact with that pure field (of consciousness), then problems wither away. It's a very simple thing. When the light comes, then where is the darkness?
I made my first film on 16mm. Then I began using 35mm.Then I began working in Hollywood. And I began to really understand how films were made by professionals. I have to say I wasn't very impressed.
Content arises out of certain considerations about form, material, context-and that when that subject matter is sufficiently far away.
Right away, I knew I didn't want to have that look of other guys with long hair and bell-bottom pants, because everybody else had that look. I kind of adopted my boarding-school look, which made me stand out. Then the next thing you know, the first song on my first record is a song called "School Days." It's about going to the boarding school I went to. So then I just started to write about myself. The very first song I ever wrote was about a guy I met in a boatyard that we were working in. So I've always had this thing about sticking to more or less what I knew.
And then away for home! Away to the quickest and nearest train! Away from this cursed land, where the devil and his children stil walk with earthly feet!
Nate stared, slack-jawed as the cab merged with the traffic and became impossible to spot. That was it. They chose each other. Just then, the dark sky lit up with fireworks. A cab sailing the street honked in celebration . In the night air , Nate thought he could hear Serena and Blairs' laughter, though he knew that was impossible; they were too far away by now. But as we know, in this city anything is possible
The back windows looked out over the fields, then the Atlantic, maybe a hundred yards away. Actually, I'm just making that bit up. I had no idea how far away the sea was. Only men could do things like that. "Half a mile." "Fifty yards." Giving directions, that sort of thing. I could look at a woman and say "Thirty-six C." Or "Let's try it in the next size up." But I had no idea how far away Tim's sea was except that I wouldn't want to walk to it in high heels.
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