A Quote by Charles M. Blow
I had set about trying to make myself more polished than a country boy would be.
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If I was freer than I had ever been in my life, I was not yet entirely free, for I still hung on to an idea that had been set deep in me by all my schooling so far: I was a bright boy and I ought to make something out of myself... something else that would be a cut or two above my humble origins.
The key to my accuracy is making sure my feet are set right and trying to have a more polished throwing motion, a more polished stroke, you can say. When my feet are right, my hips are allowed to open a little better, which is kind of where your accuracy comes from.
The gateway to freedom...was somewhere close to New Orleans where most Africans were sorted through and sold. I had driven through New Orleans on tour and I'd been told my great grandfather had lived way back up in the woods among the evergreens in a log cabin. I revived the era with a song about a coloured boy named Johnny B. Goode. My first thought was to make his life follow as my own had come along, but I thought it would seem biased to white fans to say 'coloured boy' and changed it to 'country boy'.
I had spinal surgery to correct scoliosis when I was 16 years old. The only thing that scared me about the procedure was that it would make me two inches taller. At the time, I had a crush on a boy who was about my height - and I was worried that if I were taller than him, it would never happen!
If you didn't know better, you might have thought in 2003 and 2004 that U.S. government strategy was being set by people trying to make enemies rather than friends in the Arab-Islamic world. And if you didn't know better, you might think that the Chinese government's approach to the Olympics is being set by people trying to make the country look bad.
I used to edit myself. If something seemed super-simple I had to make it more complicated. Now I'm trying to let what's in there come out and acknowledge where I come from. I'm trying to make it more. ..true.
When I was about 17 or 18, I would go through my boy's garage and they had a little studio set up. I would just play around there.
I moved to Los Angeles when I was about 20, all by myself. It was exciting. I had this moment when I felt like I needed to put on my big-boy pants and just make that leap to see what would happen.
I wasn't always smart, I was actually very stupid in school [T]here was a boy who was very attractive who was even stupider than I was. And in order to ingratiate myself with this boy who was very beautiful, I began to do his homework for him – and that's how I became smart, I had to do all this work to just keep ahead of him a little bit, in order to help him. In a sense, all the rest of my life I've been trying to do intellectual things that would attract beautiful boys.
Once or twice in the height of 'Happy Days' excitement, which had more to do with Henry Winkler as The Fonz than ever had to do with me, we were kind of like a boy band for a year or so, and we would go out on personal appearances and feel the limousine rocking, and the grabbing at your clothes and people trying to steal your cap.
I tell you, if I was in the same position I was in 1975, trying to leave a communist country and trying to live a free life, America is not the country that I would think about going to considering how many rights the GOP is trying to take away.
If I had my life to live over, I would try to make more mistakes. I would relax. I would be sillier than I have been this trip. I know of very few things that I would take seriously. I would be less hygienic. I would go more places. I would climb more mountains and swim more rivers. I would eat more ice cream and less spinach. I would have more actual troubles and fewer imaginary troubles.
I was so mad at my agent. I had polished and polished and polished [the play], and he referred to it as a draft. I wrote him a bitter letter: How can you call this a draft? I don't do drafts! By now I've done 18, and its turning, in the rehearsal room, into a 19th.
Look, I don't have a Facebook page because I have little interest in hearing myself talk about myself any further than I already do in interviews or putting any more about myself online than there already is. But if I wasn't in this position, I'm sure I would use it every day.
The boy, who did everything well and with a natural unslumped grace the wraith himself had always lacked, and whom the wraith had been so terribly eager to see and hear and let him (the son) know he was seen and heard, the son had become a steadily more and more hidden boy, toward the wraith's life's end; and no one else in the wraith and the boy's nuclear family would see or acknowledge this, the fact that the graceful and marvelous boy was disappearing, right before their eyes. They looked but did not see his invisibility.
In the beginning, I tried to be a more cosmopolitan writer, but I realized that I was a country boy, and I had to deal with things I knew about and where I came from.
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