A Quote by Charles M. Blow

Conservatism is rooted in preservation; progressivism advances alteration. These are different love languages. These languages turn on your view of change itself: When you think of America, do you see a country struggling to be maintained or one striving to be made better?
I love and respect all languages of India. I have sung songs in different languages.
It is usually the setting that decides whether a movie can be made in two languages. If the subject is rooted up North, then I make it in Hindi. But if the subject is common, then I am open to making the movie in multiple languages.
The English language took in many many fertilizations, many many genes, from other languages, from foreign languages - Latin, French, Nordic languages, German, Scandinavian languages.
Plurality of languages: [...] It is crucial 1. that there are many languages and that they differ not only in vocabulary, but also in grammar, and so in mode of thought and 2. that all languages are learnable.
Music is language itself. It should not have any barriers of caste, creed, language or anything. Music is one, only cultures are different. Music is the language of languages. It is the ultimate mother of languages.
The various languages placed side by side show that with words it is never a question of truth, never a question of adequate expression; otherwise, there would not be so many languages. The 'thing in itself' (which is precisely what the pure truth, apart from any of its consequences, would be) is likewise something quite incomprehensible to the creator of language and something not in the least worth striving for.
I think being able to speak different languages, and being able to act in those languages is something that's really very rewarding.
Sometimes I am a different character in different languages. I have different enjoyment from them. Sometimes different answers come out of me. Like, I didnt even know that about me. I get to know myself through different languages, actually.
Sometimes I am a different character in different languages. I have different enjoyment from them. Sometimes different answers come out of me. Like, I didn't even know that about me. I get to know myself through different languages, actually.
I work in Hebrew. Hebrew is deeply inspired by other languages. Not now, for the last three thousand years, Hebrew has been penetrated and fertilized by ancient Semitic languages - by Aramaic, by Greek, by Latin, by Arabic, by Yiddish, by Latino, by German, by Russian, by English, I could go on and on. It's very much like English. The English language took in many many fertilizations, many many genes, from other languages, from foreign languages - Latin, French, Nordic languages, German, Scandinavian languages. Every language has influences and is an influence.
For us, we are all very different, our languages are very different, and our societies are very different. But if we could extract ourselves from our point of view and sort of look down at human life the way a biologist looks at other organisms, I think we could see it a different way.
Writing in African languages became a topic of discussion in conferences, in schools, in classrooms; the issue is always being raised - so it's no longer "in the closet," as it were. It's part of the discussion going on about the future of African literature. The same questions are there in Native American languages, they're there in native Canadian languages, they're there is some marginalized European languages, like say, Irish. So what I thought was just an African problem or issue is actually a global phenomenon about relationships of power between languages and cultures.
I love working in multiple languages, and these days good films are being made across the country.
I am not very good with languages. So, in spite of working in films in 17 different languages, I only follow my passion to act without getting worked up about the language.
I have sung in over 20 different languages and enjoyed it. I have even sung in foreign languages like Spanish and Russian.
The business, task or object of the scientific study of languages will if possible be 1) to trace the history of all known languages. Naturally this is possible only to a very limited extent and for very few languages.
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