A Quote by Charles M. Blow

The first memory I have in the world is of death and tears. That is how I would mark the beginning of my life: the way people mark the end of one. My family had gathered at Papa Joe's house because Mam' Grace was slipping away, only I didn't register it that way. For some reason I thought that it was her birthday.
That is how I came to think that heavy and hard was the beginning of living, real living; and though I might not end up with a mark on my cheek, I had no doubt that I would end up with a mark somewhere.
Her family had no such ties. She was able to forge her way into that world. And then to those people, the idea of going to Arkansas, if you're gonna stop and think about it, you don't do it. It wouldn't have made any sense. It's like going to Mississippi. Why would you go to Alabama? You wouldn't go. You wouldn't... That would be throwing your life away! [...] For some reason, Hillary Clinton wanted to latch on to this guy [Bill Clinton] - and for some reason, this guy wanted her to latch on to him.
Her last conscious thought was disgust at life; her senses had lied to her. The world was not made of energy and delight but of foulness, betrayal, and lassitude. Living was hateful, and death was no better, and from end to end of the universe this was the first and last and only truth.
She would never leave her mark on Mammy's heart the way her brothers had, because Mammy's heart was like a pallid beach where Laila's footprints would forever wash away beneath the waves of sorrow that swelled and crashed, swelled and crashed.
Color had been made the mark of enslavement and was taken to be also the mark of inferiority; for prejudice does not reason, or it would not be prejudice... If prejudice could reason, it would dispel itself.
A lot of actors have roles which stretch from the beginning to end but they don't register or make a mark. It depends on who you are. Like if you are an actor who has fire, you can work in any film and show that.
To be secure everywhere is the mark of sophistication, to be unshakable is the mark of courage, to be permanently in love with every person is the mark of masculinity or femininity, to forgive is the mark of strength, to govern our senses and passions is the mark of freedom.
I was born with a stain. A mark. Like the mark of Cain. But is the mark of my father, my family. The mark of Borgia. I have tried to be other than I am. And I have failed. And If I have failed you in the process, I am truly sorry.
Marilyn Manson has always been intended to confuse some, anger some and make some people feel at home. There's no way to misunderstand what I do - but everyone can understand it differently. That's the only way I've learned to embrace art - it has to be a question mark, not an answer.
Beginning with the first day of life outside the womb, every child is asking two core questions: 'Am I loved?' and 'Can I get my own way?' These two questions mark us throughout life, and the answers we receive set the course for how we live.
It is very sad to me that some people are so intent on leaving their mark on the world that they don’t care if that mark is a scar.
Every birthday, you decide whether to mark it the end of your greatest days or the beginning of your finest hour.
It is grace at the beginning, and grace at the end. So that when you and I come to lie upon our death beds, the one thing that should comfort and help and strengthen us there is the thing that helped us in the beginning. Not what we have been, not what we have done, but the Grace of God in Jesus Christ our Lord. The Christian life starts with grace, it must continue with grace, it ends with grace. Grace wondrous grace. By the grace of God I am what I am. Yet not I, but the Grace of God which was with me.
When I came into your life your life was over. It had a beginning, a middle, and an end. This is the end. You can say that things could have turned out differently. That they could have been some other way. But what does that mean? They are not some other way. They are this way.
Before getting to my mother's house, I would always think of her on the porch or even on the street, sweeping. She had a light way of sweeping, as if removing the dirt were not as important as moving the broom over the ground. Her way of sweeping was symbolic; so airy, so fragile, with a broom she tried to sweep away all the horrors, all the loneliness, all the misery that had accompanied her all her life.
I did it because I thought I could die quickly if I lived like that. I couldn't end my life, leaving behind my younger sister. I thought that if I lived that way I would get punished and end this crappy life early. But now I want to live. Because I have a reason to live.
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