A Quote by Charles M. Blow

While the word 'bisexual' was technically correct, I would only slowly come to use it to refer to myself in part because of the derisive connotations. But, in addition, it would seem to me woefully inadequate and impressionistically inaccurate.
While the word bisexual was technically correct, I would only slowly come to use it to refer to myself in part because of the derisive connotations. But, in addition, it would seem to me woefully inadequate and impressionistically inaccurate.
While I don't often use the word, the technically precise term for my orientation is bisexual. I believe bisexuality is not a choice, it is a fact. What I have 'chosen' is to be in a gay relationship.
'Madame Bovary' advanced slowly, as slowly as it would have to have, given an author who held himself accountable to each word, that it be the right word, of which there could be only one.
National security is a place where the private sector could be helpful because the government is woefully behind the technology curve. But secondly, the bureaucratic processes that have been in place since 9/11 are woefully inadequate as well.
But while I'd be their daughter, while I'd eat the roast and come home from dates and wash the dishes, I would also be myself. I would love my mother, but I'd never want to be her again. I would never be what someone else wanted me to be. I would never laugh at a joke I didn't think was funny. I would never tell another lie. I would be the truth-teller, starting today. That would be tough. But I was tougher.
We wanted the humor to come from the characters and their world - you go down there to escape the world up here for a while. So when the crew would write jokes that would refer to American TV or culture, I'd just eliminate them because it just seemed odd that SpongeBob would know about it.
If I were to try to describe the way in which I write, the only word I would use without qualification is 'slowly.'
I never stopped being attracted to women. Bisexuality is misunderstood; the adage is that you're either straight or gay or lying, but that's not my experience. To call me anything other than bisexual would be inaccurate.
For many years I thought I was bisexual. And then I would ask myself, 'What is bisexual? Does that even exist?'
The word 'guru' is very loaded, so I would never refer to myself that way. I see myself as a teacher.
The way I would describe a pictorial is that it is a picture that makes everybody say ‘Aaaaah,’ with five vowels when they see it. It is something you would like to hang on the wall. The french word ‘photogenique’ defines it better than anything in English. It is a picture which must have quality, drama, and it must, in addition, be as good technically as you can possible make it.
I regret that I must so continually use the word genius, as if that should apply only to a caste as well defined from those below as income-tax payers are from the untaxed. The word genius was very probably invented by a man who had small claims on it himself; greater men would have understood better what to be a genius really was, and probably they would have come to see that the word could be applied to most people. Goethe said that perhaps only a genius is able to understand a genius.
Because of the confusion surrounding the term "agnosticism," it would seem better to use the very similar term "rationalism" in its place when referring to the original Huxleyan meaning of the term. The use of "rationalist" for "agnostic" would also seem to be less ambiguous.
I really took it in-house. The Constantine character has a kind of flesh-and-blood practical look at things that would seem, other people would use the word, occult or spiritual. But here, demons are real. So for me it was more taking it from the film itself. I didn't really need to go outside the piece itself to inform me because the perspective on it, what the character does, was provided by the script.
Consequently, I get inspiration from all over the place. But it's not like a calculated thing on my part, or a way that I see myself, you know? I'm just interested in things that move me, and I don't care where they come from. In fact, I'm interested if they come from a place I wouldn't expect, or would seem foreign to me on some level.
From this experience, I understood the danger of focusing only on what isn't there. What if I came to the end of my life and realized that I'd spent every day watching for a man who would never come to me? What an unbearable sorrow it would be, to realize I'd never really tasted the things I'd eaten, or seen the places I'd been, because I'd thought of nothing but the Chairman even while my life was drifting away from me. And yet if I drew my thoughts back from him, what life would I have? I would be like a dancer who had practiced since childhood for a performance she would never give.
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