A Quote by Charles M. Schulz
Sometimes, when you walk by the home of the girl you love, you can see her standing by the window... She waves at you, and you wave back... But it's her grandmother.
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Solitude stands by the window
She turns her head as I walk in the room
I can see by her eyes she's been waiting
Standing in the slant of the late afternoon
She sat leaning back in her chair, looking ahead, knowing that he was as aware of her as she was of him. She found pleasure in the special self-consciousness it gave her. When she crossed her legs, when she leaned on her arm against the window sill, when she brushed her hair off her forehead - every movement of her body was underscored by a feeling the unadmitted words for which were: Is he seeing it?
Why are you standing here, Charlie Brown?" "I'm waiting for that little red-haired girl to walk by... I'm going to say hello to her and ask her how she's enjoying her summer vacation, and just sort of talk to her... You know..." "You'll never do it, Charlie Brown... You'll panic..." "Besides that, she's already walked by!
I think her Grandmother Hall gave her a great sense of family love, and reassurance. Her grandmother did love her, like her father, unconditionally. And despite the order and the discipline - and home at certain hours and out at certain hours and reading at certain hours - there was a surprising amount of freedom. Eleanor Roosevelt talks about how the happiest moments of her days were when she would take a book out of the library, which wasn't censored.
We see many sides of her, beyond the 'Ballad of Mulan.' We see her as a human being, as a girl, as a young woman. Everybody admires her as a warrior but is there a fragile side to her? Will she sometimes hesitate or be afraid, but still choose to carry on? Yes, and we see that.
Sometimes you walk past a pretty girl on the street there's something beyond beauty in her face, something warm and smart and inviting, and in the three seconds you have to look at her, you actually fall in love, and in those moments, you can actually know the taste of her kiss, the feel of her skin against yours, the sound of her laugh, how she'll look at you and make you whole. And then she's gone, and in the five seconds afterwards, you mourn her loss with more sadness than you'll ever admit to.
She laughs and looks out the window and I think for a minute that she's going to start to cry. I'm standing by the door and I look over at the Elvis Costello poster, at his eyes, watching her, watching us, and I try to get her away from it, so I tell her to come over here, sit down, and she thinks I want to hug her or something and she comes over to me and puts her arms around my back and says something like 'I think we've all lost some sort of feeling.
When we’re home sometimes, she’ll put on mascara. And sometimes I’ll let her wear something out to dinner – but just a little dab. Also having a father who adores you the way that he adores her is very good for your body image. The more we can love her and let her be who she is, the more confident she’ll feel.
I heard a story about a woman who grew up in Texas. When she was having trouble in her life, she would visit her grandmother, who lived nearby and always had a kind word and some wisdom to pass on. One day she was complaining to her grandmother about some situation and her grandmother just turned to her, smiled sadly, and said, "Sometimes, darlin', you've just got to rise above yourself in this life." I've remembered that wise advice many times as I've faced trouble in my life.
What was so moving for [Diane Wilson], and also for me, is that she felt the Bay itself was like her grandmother. She said, "I don't think there's a woman alive who would give up fighting for her child, or her mother, or her grandmother."
One of the heavy marble busts that lined the higher shelves had slid free and was falling toward her; she ducked out of its way, and it hit the floor inches from where she'd been standing, leaving a sizable dent in the floor. A second later Jace's arms were around her and he was lifting her off her feet. She was too surprized to struggle as he carried her over to the broken window and dumped her unceremoniously out of it.
He loved her for being so beautiful, and he hated her for it. He loved how she put shiny stuff on her lips for him, and he also reviled her for it. He wanted her to walk home alone, and he wanted to run after her and grab her up before she could take another step.
The Witch's Life" When I was a child there was an old woman in our neighborhood whom we called The Witch. All day she peered from her second story window from behind the wrinkled curtains and sometimes she would open the window and yell: Get out of my life! She had hair like kelp and a voice like a boulder. I think of her sometimes now and wonder if I am becoming her.
Love her, love her, love her! If she favours you, love her. If she wounds you, love her. If she tears your heart to pieces – and as it gets older and stronger, it will tear deeper – love her, love her, love her!
I want a girl because I want to bring her up so that she shan't make the mistakes I've made. When I look back upon the girl I was I hate myself. But I never had a chance. I'm going to bring up my daughter so that she's free and can stand on her own feet. I´m not going to bring a child into the world, and love her, and bring her up, just so that some man may want to sleep with her so much that he's willing to provide her with board and lodging for the rest of her life.
Well, when Eleanor Roosevelt's mother dies, she goes to live with her Grandmother Hall. And her Grandmother Hall is in mourning. She's in widow's weeds. She's in her 50s, but appears very old. And she's exhausted from raising rather out-of-control children. Her favorite daughter, Anna, has died (Eleanor's mother), and she has living at home two other sons, Vallie and Eddie. And they are incredible sportsmen, incredible drinkers, out-of-control alcoholics.
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