A Quote by Charles Martin Smith

I want to make films that are worthwhile, on some level, but also very entertaining. — © Charles Martin Smith
I want to make films that are worthwhile, on some level, but also very entertaining.
I'm such a fan of actors and also enjoy watching them work so that I can help their acting in any way I can. Sometimes it walks a tricky line because you want to be entertaining to some degree. But honesty is always entertaining to me. I'm a big Woody Allen and Spike Lee fan, and I find their films to be very honest.
If you want to show cinema, make entertainment films. Sometimes they are very good, sometimes very bad, but the intention is always to make entertaining films.
I'm in the process of working out an arrangement to make some very, very, very small films in the midst of all these films and maybe that will help. But you get tired of talking. You just want to do it.
Making movies in France is different, but it's still acting, you know. You still have doubts and you're scared, always, but I really love doing films in America, because I love to speak English. But I think there's something very entertaining about American films. But I also like the intimacy of French films.
I just want to make films that have enough of a budget to pull off high-level imagery but also have a budget that is low enough that I can do what I want.
We want to make politics sort of entertaining. If it is entertaining, people are going to be interested in it, and if they are interested in it, they might think more about it and maybe involve themselves in some way down the line.
I'm naturally inclined to want to be funny and make people laugh, and that's what I want to do with my life. I also want to do it on an intelligent level. I want to kill the clown but I also want to preserve the comedian.
There's a level where the themes of a film are very relevant to me and also the idea of finding out how relevant one genre is to another. I think that westerns and samurai films and superhero films have a lot in common. It's just that the scale of the visuals in tentpole films can sometimes overwhelm the drama.
I'm not particularly interested in working with movie stars. It depends on where you come from, I suppose. Why are you making films? The reason I want make films is because they convey ideas. I think some directors make films because they want to hang out with movie stars and be part of Hollywood. They want to be a star themselves.
I kept thinking, 'Somebody has to make a food show that is actually educational and entertaining at the same time... a show that got down to the 'why things happen.' Plus, I hated my job - I didn't think it was very worthwhile.
I kept thinking, 'Somebody has to make a food show that is actually educational and entertaining at the same time... a show that got down to the 'why things happen.' Plus, I hated my job - I didn't think it was very worthwhile
As much as I am one for real human interaction, I also want to make a show that's entertaining and that people want to see.
What I want to do is make films that astonish people, that astound people, and I hope you want to do that too. It's easy to make money. It's easy to make films like everybody else. But to make films that explode like grenades in people's heads and leave shrapnel for the rest of their lives is a very important thing. That's what the great filmmakers did for me. I've got images from Fellini, from Bergman, from Kurowsawa, from Bunuel, all stuck in my brain.
You want to be entertaining to some degree. But honesty is always entertaining to me.
North-east films are still not on a national level. But 'Axone' is a mainstream film. I found the script very authentic and also very funny.
The problem is some of our riskier films just don't make as much money. But if you only make films that will just be commercially successful, then you can also sink yourself as a studio.
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