A Quote by Charles Olson
of rhythm is image / of image is knowing / of knowing there is / a construct
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You know how misleading an image is. You see an image in the newspaper, if they left the caption off, good luck knowing what's going on. There is something inherently misleading about images, so they need annotation.
If the authors and custodians of history turn out to have an attractive image, it is only reasonable to look beyond and ask whether the image they construct is accurate.
But knowing what I don’t want to do doesn’t help me figure out what I do want to do. I could do just about anything if somebody made me. But I don’t have an image of the one thing I really want to do. That’s my problem now. I can’t find the image.
The image my work invokes is the image of good - not evil; the image of order - not chaos; the image of life - not death. And that is all the content of my constructions amounts to.
Right now you can allow yourself to experience a very simple sense of not knowing - not knowing what or who you are, not knowing what this moment is, not knowing anything. If you give yourself this gift of not knowing and you follow it, a vast spaciousness and mysterious openness dawns within you. Relaxing into not knowing is almost like surrendering into a big, comfortable chair; you just fall into a field of possibility.
I do not know if you remember the tale of the girl who saves the ship under mutiny by sitting on the powder barrel with her lighted torch... and all the time knowing that it is empty? This has seemed to me a charming image of the women of my time. There they were, keeping the world in order... by sitting on the mystery of life, and knowing themselves that there was no mystery.
Every man carries within himself the eternal image of woman, not the image of this or that particular woman, but a definite feminine image. This image is fundamentally unconscious, a hereditary factor of primordial origin.
I wanted to give readers the feeling of knowing the characters, a mental image.
I think all girls do struggle with image, despite not knowing what's going on with other people.
I make one image—though 'make' is not the right word; I let, perhaps, an image be 'made' emotionally in me and then apply to it what intellectual & critical forces I possess—let it breed another, let that image contradict the first, make, of the third image bred out of the other two together, a fourth contradictory image, and let them all, within my imposed formal limits, conflict.
...The Western 'God-image' is a representation of the collective unconscious, an archetype of the psyche that undergoes a continual process of transformation...The God image evolves through its relationship to humanity. Whoever knows God has an effect on 'him'. For the individual, knowing God, is the process of recognizing and assimilating the pressured and paradoxical contents of the self, which come to consciousness- seek incarnation- within the ego.
People sometimes see an image and without knowing the surrounding patterns draw false conclusions.
The image can only be studied through the image, by dreaming images as they gather in reverie. It is a non-sense to claim to study imagination objectively since one really receives the image only if he admires it. Already in comparing one image to another, one runs the risk of losing participation in its individuality.
If you see an image and it's just an image, and there's a bad link or no description, and you don't know what that image is, or who took it, or what it's a picture of, it's not a very satisfying or actionable experience.
I took a very small image and blew it up to enormous scale. What happens when you do that is that the information in the image starts to become indistinct. The image darkens.
It is bad enough to be condemned to drag around this image in which nature has imprisoned me. Why should I consent to the perpetuation of the image of this image?
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