A Quote by Charles Peguy

A word is not the same with one writer as with another. One tears it from his guts. The other pulls it out of his overcoat pocket. — © Charles Peguy
A word is not the same with one writer as with another. One tears it from his guts. The other pulls it out of his overcoat pocket.
The claws of Truth were painful. The lies tore away like scabs, and John bled there for hours, stifling his cries of pain in the sleeve of his overcoat - the overcoat he'd received from his father.
A good writer always works at the impossible.There is another kind who pulls in his horizons, drops his mind as one lowers rifle sights.
To ask an author who hopes to be a serious writer if his work is autobiographical is like asking a spider where he buys his thread. The spider gets his thread right out of his own guts, and that is where the author gets his writing.
It becomes 'one's own' only when the speaker populates it with his own intentions, his own accent, when he appropriates the word, adapting it to his own semantic and expressive intention. Prior to this moment of appropriation, the word does not exist in a neutral and impersonal language (it is not, after all, out of a dictionary that the speaker gets his words!), but rather it exists in other people's mouths, in other people's contexts, serving other people's intentions: it is from there that one must take the word, and make it one's own
My dad came over to the house... went into his pocket and pulled out a handful of money, and began to pass it out to the children... This was the same man who, when I was his child, I would ask him for 50 cents, this man would tell me his life's story.
From a town known as Wheeling, West Virginia Rode a boy with a six-gun in his hand And his daring life of crime made him a legend in his time East and west of the Rio Grande. Well, he started with a bank in Colorado In the pocket of his vest a Colt he hid. And his age and his size took the teller by surprise, And the word spread of Billy the Kid.
I have seen an entire family lifted out of poverty and into affluence by the simple boon of a broken leg. I have had people come to me on crutches, with tears in their eyes, to bless this beneficient institution. In all my experiences of life, I have seen nothing so seraphic as the look that comes into a freshly mutilated man's face when he feels in his vest pocket with his remaining hand and finds his accident ticket all right.
When a guy says,'I'll call you,' and he doesn't say when-that means he won't call you." Kit pulled his phone out of his pocket and pressed a couple buttons. My phone vibrated in my pocket. I fished it out, smiling. "Madness," Kit whispered softly into his phone. "I meant I'd call you. This is me calling you.
If a writer doesn't do anything but give a new word to his language and, from there, maybe to other languages, I think that writer redefines the world.
... every writer I had ever known wrote his best work when he had his back up against the wall and thought he would never write another word.
When one person is struck by the Word, he speaks it to others. God has willed that we should seek and find His living Word in the witness of a brother, in the mouth of man. Therefore, the Christian needs another Christian who speaks God’s Word to him. The Christ in his own heart is weaker than the Christ in the word of his brother; his own heart is uncertain, his brother’s is sure.
Solitude is the profoundest fact of the human condition. Man is the only being who knows he is alone, and the only one who seeks out another. His nature - if that word can be used in reference to man, who has ‘invented’ himself by saying ‘no’ to nature - consists in his longing to realize himself in another. Man is nostalgia and a search for communion. Therefore, when he is aware of himself he is aware of his lack of another, that is, of his solitude.
A new Member requires the experience of his first session in the House to teach him how to hang up his overcoat and take his seat in a manner befitting a gentlemen.
Writing is a lonely job. Even if a writer socializes regularly, when he gets down to the real business of his life, it is he and his type writer or word processor. No one else is or can be involved in the matter.
He that tears away a man's good name tears his flesh from his bones, and, by letting him live, gives him only a cruel opportunity of feeling his misery, of burying his better part, and surviving himself.
Every writer, by the way he uses the language, reveals something of his spirit, his habits, his capacities, his bias....Avoid the elaborate, the pretentious, the coy, and the cute. Do not be tempted by a twenty-dollar word when there is a ten-center handy, ready and able.
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