A Quote by Charles Platt
The idea of an e-book has been around since the late 1970s, when researchers at Xerox PARC got on the case. Their prototype used millions of little magnetic particles, black on one side and white on the other, loosely embedded in the surface of a soft sheet of rubber.
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Steve Jobs made the case to Xerox PARC execs directly that they had great technology but that Apple knew how to make it affordable enough to change the world. This was very open. In the end, Xerox got a large block of Apple stock for sharing the technology. That's not stealing outright.
Until the late 1970s there'd either be only black or white in the paintings or if there were colours it would be a small amount, not a large area, and with the color separated from other colors by black or white (which is formula for Damien Hirst's successful dot paintings, incidentally).
I have a very limited knowledge of recording, but the miracle of being able to capture sounds on magnetic tape and the miracle of electricity, and these little magnetic particles, is amazing to me.
I used to tell the story about as a young man in high school one of the professors came in and put a broad white sheet on the board with a dot in the right hand corner and said, "Boys, what do you see?" And we all shouted, a black dot. He stood back and said, "not a single one of you saw the broad white sheet, you all saw the black dot." He went on to tell us to focus on the broader picture, don't focus on the negative.
If I see a black kid in a hoodie and it's late at night, I'm walking to the other side of the street. And if on that side of the street, there's a guy that has tattoos all over his face, white guy, bald head, tattoos everywhere, I'm walking back to the other side of the street, and the list goes on of stereotypes that we all live up to and are fearful of.
At one side of the palette there is white, at the other black; and neither is ever used neat.
When I was younger, living in an all-black neighborhood the other kids thought I was better than them because of my light skin and straight hair. Then we moved to an all-white neighborhood and that was a culture shock ... I'd been used to being around all black kids.
Take these," said the old man, holding out a white stone and a black stone that had been embedded at the center of the breastplate. "They are called Urim and Thummim. The black signifies 'yes,' and the white 'no.' When you are unable to read the omens, they will help you to do so. Always ask an objective question.
The idea of 'talking white,' a lot of people grew up around that, just the idea that if you speak with proper diction and come off as educated that it's not black and that it's actually anti-black and should be considered only something that white people would do.
We should feel an urgency about our environment and what's been done to it by human action and inaction. I wouldn't say there's a resurgence - I think it's been with us all along, and especially since the 1960s and 1970s, but it is true that there's almost a subsection of the bookstore devoted to it now. Personally, I've been addressing these issues in my long and short fiction since the late 1980s - basically since the beginning of my career.
A hundred years ago the American white men used to put on a white sheet and use a bloodhound against Negroes. Today they have taken off the white sheet and put on police uniforms and traded in the bloodhounds for police dogs, and they're still doing the same thing.
I grew up in Haughton, Louisiana. I go to my white grandparents' house, and then I cross the railroad tracks and hang out with my black grandma. We have English teachers on my white side. My grandpa is a principal. And then you go to the other side, and people have been in jail.
My grandfather played a mandolin, so I got my hands on that. Then on down to a banjo, and I found I couldn't play any kind of soft or mournful music with that so I took up the fiddle in my late 20s or early 30s - and that was far too late. But it keeps me off the streets. It has been a love of mine since I was 17 maybe.
I went to Catholic school my entire life. Elementary school was probably my worst time - those are the years when you're figurin' out who you are, and then you've got the added pressure of being on the light-skinned side of things. I've been around - excuse me saying - predominantly white people in Catholic school, who sit around and just talk about black people because they thought they were in the presence of themselves, and they used to talk cool. I felt firsthand the racial prejudice that is still alive today.
This is a concept that western culture has forgotten : everything is one! The idea of dichotomy is deeply wrong and nothing is better than a great symbol of China, the Tao, the wheel of yin and yang that represents life. The universe is the harmony of opposites, because there is no water without fire, there is no female with no male, there is no night without day, there is no sun without the moon ... there is no good without evil! This symbol is perfect since the white and black are embracing each other; inside the white there is a black point and inside the black there is a white point.
As the thought comes to me to exorcise and transform this black with a white drawing, it has already become a surface.. .Now I have lost all fear, and begin to draw on the black surface.
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